The World of Tim Box

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Welcome to THE WORLD OF TIM BOX, Everyone!

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Um Guys, between November 2012 and November 2013, The Dexter's Odyssey Trilogy, The Old Mill Film Club's HD-Digital Video Shot, $865 million epic blockbuster film trilogy, will be released on DVD, Blu-Ray Disc, and HD-DVD in 2-disc, 4-Disc, and 7-Disc releases Here's the Details:

THE DEXTER’S ODYSSEY TRILOGY DVDS

DVD SET #1: DEXTER’S ODYSSEY: THE BIRTH OF MANDARK: 2-DISC SPECIAL EDITION

DVD FEATURES:

DISC I: THE THEATRICAL VERSION
• 2.40:1 Anamorphic Widescreen Version of the 178-minute Theatrical Version in 3 Separate Editions: The Flat Version, The Digital 3D Version, and the 1.81:1 IMAX DMR version
• Dolby Digital EX 5.1 Surround Sound
• DTS ES 6.1 Surround Sound
• Stereo Surround Sound
• English Subtitles and Closed Captions
• French and Spanish Subtitles

DISC II: SPECIAL FEATURES
• 3 In-Depth programs that reveals the secrets behind the epic Sci-Fi Fantasy Adventure
• 15 featurettes originally created for Timbox.com, which explores the locales and cultures of the Tim Box Galaxy and include cast interviews
• Exclusive 10-minute behind-the-scenes preview of the next Dexter’s Odyssey Release, The Sword of The Phoenix, coming November 2012
• Original Theatrical Trailers and TV Spots
• Phil Tippett’s 10 Minute experimental film, Prehistoric Beast, for the first time on DVD, plus a 25-minute behind the scenes documentary, Phil Tippett and Dinosaurs: From Prehistoric Beast to Jurassic Park!
• Preview of the Sword of the Phoenix Video Game
• An inside look at the Special Extended Edition of Dexter’s Odyssey: The Birth of Mandark

DVD-ROM CONTENT:
Exclusive Online Content

DVD SET #2: DEXTER’S ODYSSEY: THE BIRTH OF MANDARK: THE COMPLETE NOVEL: 7-DISC ULTIMATE COLLECTOR’S EDITION

THE COMPLETE NOVEL: ULTIMATE COLLECTOR’S EDITION DVD FEATURES:
7-Disc Ultimate Collector’s Edition Content Overview

DISC I—II: SPECIAL EXTENDED EDITION
FEATURE (approx. 236 minutes) - Unique version of the epic sci-fi fantasy adventure with over 58 minutes of never-before-seen footage incorporated into the film and new music scored by Academy Award®-winning composers James Horner and Hans Zimmer and Academy Award®-Nominee, James Newton Howard:

Widescreen (2.40:1) version of the Special Extended Edition
Dolby Digital EX 5.1 Surround Sound
DTS ES 6.1 Surround Sound
Stereo Surround Sound
• Isolated 5.1 EX Music-Only Track
• Isolated 5.1 EX Sound Effects-Only Track
Four audio commentaries by director and writers, the design team, the production team, and the cast featuring more than 30 participants.
Phil Tippett’s 10-Minute Experimental Film, Prehistoric Beast, plus
Mandark Cartoon—Selected Episode of Dexter’s Laboratory
Samurai Cop VII: Suburban Samurai—Film Club’s Satirical Bad-Taste Experimental Film

DISC III—THE THEATRICAL VERSION
The one that you’ve seen in the theatres.
• 2.40:1 Anamorphic Widescreen Version of the 178-minute Theatrical Version
• Dolby Digital EX 5.1 Surround Sound
• DTS ES 6.1 Surround Sound
• Stereo Surround Sound
• English Subtitles and Closed Captions
• French and Spanish Subtitles

DISC IV—VII: THE TIM BOXIAN APPENDICES

Four discs with hours of original content including multiple documentaries and design/photo galleries with thousands of images and much, much, more, to give viewers an in-depth behind-the-scenes look at Dexter’s Odyssey: The Birth of Mandark.

DISC IV: PART I: THE RISE OF MANDARK
DISC V: PART II: THE ENSLAVEMENT OF COTOLAMIA
Creating a screenplay & planning the film
Designing and building The Tim Box Galaxy
Storyboards to pre-visualization
Weta Workshop visit - An up-close look at the weapons, armor, creatures and miniatures from the film
Atlas of The Tim Box Galaxy: Tracing the journey
An interactive map of The United States and New Zealand highlighting the location scouting process
Galleries of art and slideshows with commentaries by the artists
Guided tour of the wardrobe department
Footage from early meetings, moving storyboards and pre-visualization reels

DISC VI: PART III: A WARRIOR’S QUEST
DISC VII: PART IV: THE FREEDOM OF COTOLAMIA
Bringing the characters to life
A day in the life of a dinosaur
Principal photography: Stories from the set
Scale: Creating the illusion of size
Galleries of behind-the-scenes photographs and personal cast photos
Editorial and visual effects multi-angle progressions
Sound design demonstration
A Complete Set of Promo Materials, including Trailers, TV spots and more.
DVD-ROM CONTENT: Includes access to exclusive online features

DVD SET #3: DEXTER’S ODYSSEY: THE BIRTH OF MANDARK: SPECIAL EXTENDED DVD EDITION—4-DISC DELUXE COLLECTOR’S EDITION

SPECIAL EXTENDED DVD FEATURES

4-Disc Deluxe Collector’s Edition Content Overview

DISC I—II: SPECIAL EXTENDED EDITION
FEATURE (approx. 236 minutes) - Unique version of the epic sci-fi fantasy adventure with over 58 minutes of never-before-seen footage incorporated into the film and new music scored by Academy Award®-winning composers James Horner and Hans Zimmer and Academy Award®-Nominee, James Newton Howard:
Widescreen (2.40:1) version of the Special Extended Edition
Dolby Digital EX 5.1 Surround Sound
DTS ES 6.1 Surround Sound
Stereo Surround Sound
• Isolated 5.1 EX Music-Only Track
• Isolated 5.1 EX Sound Effects-Only Track
Four audio commentaries by director and writers, the design team, the production team, and the cast featuring more than 30 participants.
hil Tippett’s 10-Minute Experimental Film, Prehistoric Beast plus, a 25-minute behind the scenes documentary, Phil Tippett and Dinosaurs: From Prehistoric Beast to Jurassic Park!
A Mandark Cartoon—Selected Episode of Dexter’s Laboratory
Samurai Cop VII: Suburban Samurai—Film Club’s Satirical Bad-Taste Experimental Film


DISC III—IV: THE TIM BOXIAN APPENDICES

Two discs with featuring the four discs of hours of original content including multiple documentaries and design/photo galleries with thousands of images and much, much more that give viewers an in-depth behind-the-scenes look at Dexter’s Odyssey: The Birth of Mandark squeezed into Two Large DVD-9s.

DISC III - "THE RISE OF MANDARK"
Creating the screenplay & planning the film
Designing and building The Tim Box Galaxy
Storyboards to pre-visualization
Weta Workshop visit - An up-close look at the weapons, armor, creatures and miniatures from the film
Atlas of The Tim Box Galaxy: Tracing the journey
An interactive map of The United States and New Zealand highlighting the location scouting process
Galleries of art and slideshows with commentaries by the artists
Guided tour of the wardrobe department
Footage from early meetings, moving storyboards and pre-visualization reels

DISC 4 - "THE FREEDOM OF COTOLAMIA"
Bringing the characters to life
A day in the life of a dinosaur
Principal photography: Stories from the set
Scale: Creating the illusion of size
Galleries of behind-the-scenes photographs and personal cast photos
Editorial and visual effects multi-angle progressions
Sound design demonstration
Complete Set of Promo Material including Trailers and TV Spots
DVD-ROM CONTENT: Includes access to exclusive online features


DVD SET #4: DEXTER’S ODYSSEY: THE SWORD OF THE PHOENIX: 2-DISC SPECIAL EDITION

DVD FEATURES
Disc I: The Feature
Feature (approx. 179 minutes)
Separate Widescreen (2.40:1) (for D-Cinema and Digital 3D) or IMAX (1.81:1) versions of the film
Dolby Digital EX 5.1 Surround Sound
DTS ES 6.1 Surround Sound
Stereo Surround Sound
French and Spanish Subtitles
English subtitles and closed captions

Disc II: Special Features
Bonus disc featuring hours of additional content.
2 in-depth programs that reveal the secrets behind the production of this epic adventure, including:
"On the set – Dexter’s Odyssey: The Sword of the Phoenix"
"Return to The Tim Box Galaxy"
8 featurettes originally created for timbox.com:
The Astronomean Forces of Darkness
Sounds of The Tim Box Galaxy
Pangaea & Reptarian Culture
Creatures
The Powerpuff Girls
Arms & Armor
The Rowdyruff Boys
Mo’ Mojo Jojo
Exclusive 10-minute behind-the-scenes preview of Dexter’s Odyssey:
The Sword Of The Phoenix
Dinosaur!-the 1985 Emmy Award-Winning CBS TV Special hosted by Superman’s Christopher Reeve
The Rowdyruff Boys—Selected Episode of the Powerpuff Girls + behind-the-scenes
"making of" hosted by King Moonraiser
review of Electronic Arts' video game, Dexter’s Odyssey: The Fall
of Mandark
An inside look at the Special Extended DVD Edition of Dexter’s Odyssey: The
Sword of the Phoenix
DVD-ROM Content

So what will you think of the Dexter's Odyssey DVDs when they will come out Between November 2012 and November 2013?

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I have a great idea. In Late November 2010, The Old Mill Film Club, which will now evolve to and renamed the Tim Box Company, will purchase Cartoon Network and Cartoon Network Studios and its divisions from Time Warner and Turner Broadcasting for free. From 2010 onwards, All of Cartoon Network's content will now be distributed by Tim Box, Twentieth Century Fox Film Corporation and its divisions, and The Walt Disney Company, with Tim Box Home Entertainment and Twentieth Century Fox Home Entertainment holding the home video rights to Cartoon Network.

There will be:
No live-action at some of the time (they'll also end up on CW or TBS.)!
CN and Disney would re-dub the 4 previous Digimon seasons uncut and keep it 100% true to the original Japanese version, and the same goes for Prehistoric Warriors/Dinozaurs and Transformers: Car Robots. CN, Disney, and Tim Box would also dub and license Digimon Savers.
Some marathons on ordinary weekdays or weekends. They'll also be okay during the holidays.
Shows won't be on more than twice a day.
Tim Box will Bring back some classics such as Popeye and Thundercats
Tim Box will Bring back Toonami on weekdays and also make it daily programming block on CN.
Tim Box will Revive Miguzi as a separate channel.
all Pokemon or other 4Kids crap on Toonami will move to Tim Box's newest channel, The Toonami Channel.
Tim Box will Make Toonami more teen-oriented.
Tim Box will also Turn Boomerang back into a daily programming block on CN.
New episodes of Megas XLR, Ben 10, Samurai Jack and Xiaolin Showdown.
Friday nights would become premiere nights for all types of shows, anime or not.
Tim Box will Bring back the old bumpers and promos for CN as part of a lineup called Cartoon Network Rewind.
The Tim Box Company, AKA, The Old Mill Film Club (which is located at 600 Patriot Lane, Millersville, MD 21108) will now own Cartoon Network from 2010 onwards.



In 2012, Tim Box Home Entertainment, Twentieth Century Fox Home Entertainment, and Cartoon Network Video will finally released Dexter's Laboratory and the rest of the Powerpuff Girls on DVD, Blu-Ray Disc and HD-DVD in season box sets. Here's the details:

Dexter's Laboratory: The Complete First Season

Disc One

Dee Deemensional / Dial M for Monkey: Magnanamus / Maternal Combat
Dexter Dodgeball / Dial M for Monkey: Rasslor / Dexter's Assistant
Dexter's Rival / Dial M for Monkey: Simion / Old Man Dexter
Double Trouble / Dial M for Monkey: Barbequor: The Banned Episode / Changes
Jurassic Pooch / Dial M for Monkey: Orgon Grindor / Dimwit Dexter
Dee Dee's Room / Dial M For Monkey: Huntor / The Big Sister
Star Spangled Sidekicks / The Justice Friends: TV Super Pals / Game Over

Disc Two

Babysitter Blues / The Justice Friends: Valhallen's Room / Dream Machine
Dollhouse Drama / The Justice Friends: Krunk's Date / The Big Cheese
Way of the Dee Dee / The Justice Friends: Say Uncle Sam / Tribe Called Girl
Spacecase / The Justice Friends: Ratman / Dexter's Debt
Dexter's Rival (Repeat) / The Justice Friends: Bee Where? / Mandarker
Inflata Dee Dee / The Justice Friends: Can't Nap / Monstory

Technical Specs:

-Audio Commentaries for all 13 episodes
-An Introduction from Genndy Tartakovsky and Chris Savino
-Deleted Scenes
-Dexter's Laboratory: Year One documentary
-Animation Showcase
-Illustrated Commentary
-Deleted Scenes intro
-Deleted Scenes gallery
-TV Spots
-The Art of Dexter's Laboratory (632 images)
-Original 1993 CalArts Student Film
-Dexter's Odyssey: The Birth of Mandark theatrical teasers and trailers
-1.33:1 HD Digital Full Frame
-Dolby Digital 5.1 and 2.0 surround
-English, French, and Spanish Subtitles

Dexter's Laboratory: The Complete Second Season

Disc One

Beard To Be Feared / Quackor the Fowl / Ant Pants
Mom and Jerry / Chubby Cheese / That Crazy Robot
D & DD / Hamhocks and Armlocks
Hunger Strikes / The Koos is Loose / Morning Stretch
Dee Dee Locks and the Ness Monster / Backfire / Book 'Em
Sister's Got A Brand New Bag / Shoo, Shoe Gnomes / Lab of the Lost
Labels / Game Show / Fantastic Boyage

Disc Two

Filet of Soul / Golden Diskette
Snowdown / *Figure Not Included / Mock 5
Ewww That's Growth / Nuclear Confusion / Germ Warfare
A Hard Day's Day / Road Rash / Ocean Commotion
The Bus Boy / The Justice Friends: Things That Go Bonk in the Night / Ol' McDexter
Sassy Come Home / Photo Finish

Disc Three

Star Check Unconventional / Dexter is Dirty / Ice Cream Scream
Decode of Honor / World's Greatest Mom / Ultra-jerk 2000
Techno Turtle / Surprise / Got Your Goat
Dee Dee Be Deep / 911 / Down in the Dumps
Unfortunate Cookie / The Muffin King
Picture Day / Now That's A Stretch / Dexter Detention
Don't Be A Baby / Dial M For Monkey: Peltra / G.I.R.L. Squad

Disc Four

Sports-a-Poppin' / Koos a la Goop a Goop / Project Dee Dee
Topped Off / Dee Dee's Tail / No Power Trip
Sister Mom / The Laughing
Dexter's Lab: A Story / Coupon for Craziness / Better Off Wet
Critical Gas / Let's Save the World You Jerk! / Average Joe
Rushmore Rumble / A Boy and His Bug / You Vegetabelieve It!

Disc Five

Aye Aye Eyes / Dee Dee and the Man
Old Flame / Don't Be a Hero / My Favorite Martian
Paper Route Bout / The Old Switcharooms / Trick or Treehouse
Quiet Riot / Accent You Hate / Catch of the Day
Dad is Disturbed / Framed / That's Using Your Head
DiM / Just an Old Fashioned Lab Song... / Repairanoid
Sdrawkcab / The Continuum of Cartoon Fools / Sun, Surf, and Science

Disc Six

Big Bots / Gooey Aliens That Control Your Mind / Misplaced in Space
Dee Dee's Rival / Pslyghtly Psycho / Game for a Game
Blackfoot and Slim / Trapped with a Vengeance / The Parrot Trap
Dexter and Computress Get Mandark! / The Justice Friends: Pain in the Mouth / Dexter Vs. Santa's Claws
Dyno-Might / LABretto
Last But Not Beast (Dial M For Monkey, The Justice Friends)

Disc Seven

Dexter's Laboratory: Ego Trip
Dexter's Rude Removal: The Banned Episode (presented Uncut and Uncensored)

Technical Specs:

Audio Commentaries for all 40 episodes and for Ego Trip
-An Introduction from Genndy Tartakovsky and Chris Savino
-Deleted Scenes
-Dexter's Laboratory: Year Two documentary
-The One Who Saved the Future: The Making of Dexter's Laboratory: Ego Trip featurette
-Animation Showcase
-Illustrated Commentary
-Deleted Scenes intro
-Deleted Scenes gallery
-TV Spots
-The Art of Dexter's Laboratory gallery (639 images)
-The Art of Dexter's Laboratory: Ego Trip gallery (645 images)
-Dexter's Odyssey: The Birth of Mandark theatrical teasers and trailers
-1.33:1 HD Digital Full Frame
-Dolby Digital 5.1 and 2.0 surround
-DTS 5.1 Surround (for Ego Trip)
-English, French, and Spanish Subtitles

Dexter's Laboratory: The Complete Third and Fourth Seasons

Disc One

Streaky Clean / A Dad Cartoon / Sole Brother
Mind Over Chatter / A Quackor Cartoon / Momdark
Copping an Aptitude / A Failed Lab Experiment / The Grand-Daddy of All Inventions
Poppa Wheely / A Mom Cartoon / The Mock Side of the Moon
If Memory Serves / A Mandark Cartoon / Tele Trauma
A Boy Named Sue / Lab on the Run
Dos Boot / A Dee Dee Cartoon / Would You Like That in the Can

Disc Two

That Magic Moment / A Silent Cartoon / Opposites Attract
Comic Relief / A Third Dad Cartoon / RoboDexo 3000
Glove at First Sight / A Mom & Dad Cartoon / Smells Like Victory
Oh, Brother? / Another Dad Cartoon / Bar Exam
Jeepers, Creepers, Where is Peepers? / Go, Dexter Family, Go!
Scare Tactics / A Mom Cartoon (repeat) / My Dad vs. Your Dad

Disc Three

Beau Tie / Remember Me / Overlabbing
Sis-Tem Error / Bad Cable Manners / Dexter's Library
The Scrying Game / Monstrosi-Dee Dee / Dad Man Walking
Dexter's Little Dilemma / Faux Chapeau / D2
Head Band / Stuffed Animal House / Used Ink
School Girl Crushed / Chess Mom / Father Knows Least
Dexter the Barbarian / Tuber Time / Sore Eyes

Disc Four

Babe Sitter / Mountain Mandark / 2Geniuses 2Gether 4Ever
Height Unseen / Bygone Errors / Folly Calls
Voice Over / Blonde Leading the Blonde / Comic Stripper
The Lab of Tomorrow / Chicken Scratch / Poetic Injustice
Tee Party / Dexter's Wacky Races (Justice Friends appearance)
Comedy of Feathers / They Got Chops / Garage Sale

Techincal Specs

-Audio Commentaries for all 26 episodes
-An Introduction from Genndy Tartakovsky and Chris Savino
-Deleted Scenes
-Dexter's Laboratory: Year One documentary
-Animation Showcase
-Illustrated Commentary
-Deleted Scenes intro
-Deleted Scenes gallery
-TV Spots
-Music Videos
-The Art of Dexter's Laboratory (656 images)
-Dexter's Laboratory: Chicken Stratch: The Theatrical Version (in 1.85:1 anamorphic widescreen and in Dolby Digital 5.1 Surround)
-Dexter's Odyssey: The Birth of Mandark theatrical teasers and trailers
-1.33:1 HD Digital Full Frame
-Dolby Digital 5.1 and 2.0 surround
-English, French, and Spanish Subtitles

The Powerpuff Girls: The Complete First and Second Seasons

Disc One

Monkey See, Doggie Do/Mommy Fearest
Insect Inside/PowerPuff Bluff
Octi Evil/Geshundfight
Buttercrush/Fuzzy Logic
Boogie Frights/Abracadaver
Telephonies/Tough Love
Major Competition/Mr. Mojo's Rising

Disc Two

Paste Makes Waste/Ice Sore
Bubblevicious/The Bare Facts
Cat Man Do/Impeach Fuzz
Just Another Manic Mojo/Mime for a Change
The Rowdy Ruff Boys
Uh Oh Dynamo

Disc Three

Stuck Up, Up and Away/School House Rocked
Collect Her/Supper Villain
Birthday Bash/Too Pooped to Puff
Beat Your Greens/Down N' Dirty
Dream Scheme/You Snooze, You Lose
Slave the Day/Los Dos Mojos
A Very Special Blossom/Daylight Savings

Disc Four

Mo Job/Pet Feud
Imaginary Fiend/Cootie Gras
The PPGs Best Rainy Day Adv. Ever/Just Desserts
Twisted Sister/Cover Up
Speed Demon/Mojo Jonesin'
Something's a Ms./Slumbering with the Enemy

Technical Specs

-Audio Commentaries for all 26 episodes
-An Introduction from Craig McCracken
-Deleted Scenes
-The Powerpuff Girls: Years One and Two documentary
-Animation Showcase
-Illustrated Commentary
-Deleted Scenes intro
-Deleted Scenes gallery
-TV Spots
-Music Videos
-The Art of The Powerpuff Girls (669 images)
-Whoopass Stew! A Sticky Situation (presented uncut and uncensored)
-Two What-A-Cartoon! Shorts: Meat Fuzzy Lumpkins and Crime 101
-Dexter's Odyssey: The Sword Of the Phoenix theatrical teasers and trailers
-1.33:1 HD Digital Full Frame
-Dolby Digital 5.1 Enhanced Home Theater Mix
-DTS 5.1 Enhanced Home Theater Mix
- Dolby 2.0 surround
-English, French, and Spanish Subtitles

The Powerpuff Girls: The Complete Third and Fourth Seasons

Disc One

Fallen Arches/The Mane Event
Town and Out/Child Fearing
Criss Cross Crisis
Bubblevision/Bought and Scold
Gettin' Twiggy With It/Cop Out
Jewel of the Aisle/Super Zeroes
Three Girls and a Monster/Monkey See, Doggy Two

Disc Two

Candy is Dandy/Catastrophe!
Hot Air Buffoon/Ploys R' Us
The Head Sucker's Moxy/Equal Fights
PowerProf.
Moral Decay/Meet the Beat Alls
Power Lunch/Helter Shelter

Disc Three

Film Flam
All Chalked Up
Get Back, Jojo
Him Diddle Riddle
Members Only
Knock it Off
Superfriends

Disc Four
Nano of the North
Stray Bullet
Forced Kin
Deja View: Restored and Reconstructed (in 2.35:1 Anamorphic Widescreen and in Dolby EX 5.1 Enhanced Home Theater Mix and in DTS ES 6.1 Enhanced Home Theater Mix)

Technical Specs
-Audio Commentaries for all 24 episodes
-An Introduction from Craig McCracken
-Deleted Scenes
-The Powerpuff Girls: Years Three and Four documentary
-Animation Showcase
-Illustrated Commentary
-Deleted Scenes intro
-Deleted Scenes gallery
-TV Spots
-Music Videos
-The Art of The Powerpuff Girls (674 images)
-The Powerpuff Girls Movie Theatrical trailer
-Deja View: The Episode that never was featurette
-Dexter's Odyssey: The Sword Of the Phoenix theatrical teasers and trailers
-1.33:1 HD Digital Full Frame
-Dolby Digital 5.1 Enhanced Home Theater Mix
-DTS 5.1 Enhanced Home Theater Mix
- Dolby 2.0 surround
-English, French, and Spanish Subtitles


The Powerpuff Girls: The Complete Fifth and Sixth Seasons

Disc One

Keen on Keane/Not So Awesome Blossom
Power-Noia
Nuthin' Special/Neighbor Hood
Monstra-City/Shut the Pup Up
I See a Funny Cartoon in Your Future/Octi-Gone
Toast of the Town/Divide and Conquer
Burglar Alarmed/Shotgun Wedding

Disc Two

Save Mojo/Substitute Creature
The Boys Are Back in Town
See Me, Feel Me, Gnomey
Pee Pee G's/Boy Toys
Seed No Evil/City of Clipsville
Lying Around the House/Bubble Boy

Disc Three

Documentary/Girls Gone Mild
Twas The Fight Before Christmas
Curses/Bang for Your Buck
Silent Treatment/Sweet 'n' Sour
Prime Mates/Coupe d'Etat
Makes Zen to Me/Say Uncle
Reeking Havoc/Live And Let Dynamo

Disc Four

Oops, I Did It Again/Mo' Linguish
A Made Up Story
Little Miss Interprets/Night Mayor
Custody Battle/City of Nutsville
Aspirations
That's Not My Baby/Simian Says

Disc Five

Sun Scream/City of Frownsville
West in Pieces
Crazy Mixed Up Puffs/Mizzen in Action
Roughing It Up/What's the Big Idea?

Technical Specs
-Audio Commentaries for all 30 episodes
-An Introduction from Craig McCracken
-Deleted Scenes
-The Powerpuff Girls: Years Five and Six documentary
-Animation Showcase
-Illustrated Commentary
-Deleted Scenes intro
-Deleted Scenes gallery
-TV Spots
-Music Videos
-The Art of The Powerpuff Girls (688 images)
-Dexter's Odyssey teasers and theatrical trailers
-Deja View: The Episode that never was featurette
-Dexter's Odyssey: The Fall of Mandark exlcusive sneek peak
-1.33:1 HD Digital Full Frame
-Dolby Digital 5.1 Enhanced Home Theater Mix
-DTS 5.1 Enhanced Home Theater Mix
- Dolby 2.0 surround
-English, French, and Spanish Subtitles


The Powerpuff Girls Movie: Special Edition: The Criterion Collection

Disc One: The Films

-2012 Special Edition (87 minutes)
-2002 Theatrical Version (74 minutes)
-1.85:1 anamorphic widescreen HD Digital transfers for both versions
-Audio Commentaries for both versions
-Powerpuff Film Facts track
-Isolated Music-Only Track (Special Edition)
-Isolated Sound-Effects-Only Track (Special Edition)
-Dolby EX 5.1 Enhanced Home Theater Mix (for Special Edition)
-DTS ES 6.1 Enhanced Home Theater Mix (for Special Edition)
-Dolby 2.0 Surround
-Dolby Digital 5.1 Enhanced Home Theater Mix (for theatrical version)
-DTS 5.1 Enhanced Home Theater Mix (for theatrical version)
-English, French and Spanish Subtitles

Discs Two, Three, Four, Five, Six, and Seven: The Townsville Archives
-PPG 801: The Making of the Powerpuff Girls Movie (288 Minutes)
-Deja View: The Reconstruction (27 minutes) (in 2.35:1 anamorphic widescreen)
-Dexter's Laboratory: Chicken Stratch (6 minutes) (in 1.85:1 anamorphic widescreen)
-History and Development-the development process, research trip, story treatment, visual development gallery, concept artwork for PPG 801
-Story and Editorial - the process, pitching the story, putting it on reels, storyboard-to-film comparisions
-Layouts and Backgrounds - the layout and background department, storyboard and background comparison, workbook gallery, layout gallery, color key and background galleries
-Animation - the animation process, CGI props, character animation (voices, background and rough animation comparison, character design), production progression (including a multi-angle presentation), clean-up animation,deleted scenes
-Music and Sound-the music, the new soundscapes, sound mix demo
-Publicity-17 2002 and 2012 theatrical trailers, 3,835 2002 TV spots, 215 2012 TV Spots, behind the scene featurettes from 2001 to 2012, Poster, Ad, and Marketing campaign

DVD-Rom Content

*Also available on Blu-Ray Disc and HD-DVD from Tim Box Home Entertainment and on Blu-Ray Disc from Twentieth Century Fox Home Entertainment

In 2012, Dexter's Laboratory and the Powerpuff Girls will be given better DVD treatment. So what will you think of the 2012 Dexter's Lab and Powerpuff Girls Special Edition Box Sets?

There will be a Art Minature Book Series showcasing Craig McCracken and Genndy Tartakovsky's works, The Art of Cartoon Network. Book One will be The Art of Dexter's Laboratory, which will be 1,618 pages long and will feature all of the drawings, illustrations, etc. made for all 4 seasons of Dexter's Laboratory, Ego Trip, etc., that will be culled from the Cartoon Network Archives along with written text by Jerry Beck or whatever author who could wrote it, and similar to that of the Art of Walt Disney.

The Art of The Powerpuff Girls will be 1,625-page long and will feature all of the drawings, illustrations, etc. made for all 4 seasons of The Powerpuff Girls, The unifinished Episode, Deja View (which will be completed as a 27-minute CinemaScope theatrical short which will be shown with the Birth of Mandark and the Powerpuff Girls Movie: Special Edition, etc., that will be culled from the Cartoon Network Archives along with written text by Jerry Beck or whatever author who could wrote it, and similar to that of the Art of Walt Disney.

The Powerpuff Girls Movie: The Making, The Art, and the Vision of The Animated Film will be 1,556 pages long and will feature all of the drawings, illustrations, etc. made for the film and 2012 theatrical re-release, that will be culled from the Cartoon Network Archives along with written text by Jerry Beck or whatever author who could wrote it, and similar to that of the Art of Walt Disney.

The Samurai Jack Chronicles will be 1,678-pages long and will feature all of the drawings, illustrations, etc. made for all 4 seasons of the show, etc., that will be culled from the Cartoon Network Archives along with written text by Jerry Beck or whatever author who could wrote it, and similar to that of the Art of Walt Disney.

And The Art of Foster's Home For Imaginary Friends will be 1,652 pages long and will feature all of the drawings, illustrations, etc. made for all 4 seasons of the show, etc., that will be culled from the Cartoon Network Archives along with written text by Jerry Beck or whatever author who could wrote it, and similar to that of the Art of Walt Disney.

The 5 minature Books will be published separately between May and November 2012 and in November of 2012, there will be a 5-Volume Box Set of all 5 minature books. So what will you think of those minature Art books?

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Well, Those guys in the Criterion DVD forum have hurt my feelings, OK?

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You know, I wanted the music of Dexter's Odyssey to be based upon feel, and the music of The Dinosaur Planet of Reptaria is all gonna enhance that, because for the music of Reptaria, Film Club and I will be taking the traditional orchestra and some electronic music by James T. Hill and Vangelis and we're putting in a tribal percussion, part Asian part African Mood, and a incredible African Choral Score with it, So it is like this music of the Tim Box Galaxy and Reptaria, you know. The Music of Film Club's HD Digital Video-shot, $865 million, epic blockbuster film trilogy, Dexter's Odyssey will be done by James Horner, Hans Zimmer and James Newton Howard. In terms of soundtrack albums, there will be a trilogy of 4-CD sets feauring Each Dexter's Odyssey film's entire score composed, orchestrated, conducted, and produced by James Horner, James Newton Howard, and Hans Zimmer and being a combination of traditional orchestra, electronic music by James T. Hill and Vangelis, chorus, tribal world-beat percussion, part Asian, Part African mood, and an incredible African choral score. They will be simply called, Dexter's Odyssey: A Tale of the Tim Box Wars: The Complete Recordings and each set encompasses three CDs plus a DVD-audio disc featuring the score in four superior sound configurations. In addition to that, There will also be a 4-CD Follow-up Companion Album, called Dexter's Odyssey: The Rhythm of Reptaria, which contains 230 minutes of music illustrating the world of Reptaria and its dinosaur inhabitants from Pole to Pole, and will combine traditional orchestra, electronic music by James T. Hill and Vangelis, chorus, tribal world-beat percussion, part Asian, Part African mood, and an incredible African choral score. The Music of Dexter's Odyssey: The Complete Recordings and its companion Album, The Rhythm of Reptaria, will be recorded partially in one of the largest music studios in the world (that Hans Zimmer owns.) and will be published by Tim Box Records, Rhino Records, and Varese Sarabande. What will you think of James Horner, Hans Zimmer and James Newton Howard;s combination of traditional orchestra, electronic music by James T. Hill and Vangelis, chorus, tribal world-beat percussion, part Asian, Part African mood, and an incredible African choral score to create the musical score for the Dexter's Odyssey trilogy and its follow-up album, Rhythm of Reptaria, if it sounded a whole lot like that of the Power of One, The Lion King, Congo, The Lord of the Rings, Disney's Dinosaur, Disney's Mighty Joe Young, Batman Begins, and Gladiator?

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Now this is the Story of....
DEXTER'S ODYSSEY: A TALE OF THE TIM BOX WARS

THE BIRTH OF MANDARK:
After a sweeping opening sequence through the Reptarian landscapes, The story began with Tom Amuck Zarus, the son of Dexter Andrew Zarus and his brother David going to the Millennium 20 space station to see his old friend, Professor Steve Utonium, now the emperor of the Tim Box Federation of Galactic Systems. Tom Amuck’s story began with his discussion about the history of the Tim Box Wars before Mandark came along.
It then opens with the Birth of Mandark at the hands of a Lepukean Teenager on Lepuk’s Fifth Moon. Mandark emerges from Lepuk 5 and turned himself into a gigantic, black entity of pure evil which was all but destroyed by the Lepukean Police. During the battle a small fragment fell away from the entity and drifted through space for a week before landing on the planet Astronoma with a tremendous crash in a lake, releasing him and gave him his self-awareness, personality, humanoid form and the capacity to shape-shift. He encountered Darek and the other Astronomean Warlords who eventually made Mandark the new emperor of Astronoma to replace the late Lord Samson Astronomenov, who died in a car accident 12 days ago. Mandark met up with Mojo Jojo, the lord of the Primakil, a race of mutated apes and monkeys, and went to the Astronomean Territory of Reptaria to build an army of Verakil, Tall, Orc/Strong Borg/Uruk Hai hybrids made out of plasticine clay. In the city world of Townsville, The Emperor Thomas Utonium heard the news that Mandark has already began his dynasty in Astronoma, and decided to go to war.
325 years later, Mandark began to be ready for the morning and went to his massive laboratory in the northeastern wing of Ana’tomnar, the Astronomean Imperial Palace. His computer told him to attack Cotolamia, and He Agreed. He tells Mojo Jojo thorugh the crystal ball, the Armageddous that the time has come to send their armies to Cotolamia. He went to the Fortress Town of Ana’tor and and finally send the troops of Mandark and Mojo Jojo to attack Cotolamia.
In Cotolamia, a group of friends led by Ptolemy Kong III are leaving work with the Neurotomic Protocore, when they saw Mandark in disguise as Susan, Mandark’s alias in the Dexter’s Laboratory Episode, A Boy Named Sue. When they laughed at Mandark’s nick name, Mandark began to destroy some buildings in Cotolamia, causing his armies to tear down the wall that surrounded the valley-wide city of Alamania, Cotolamia. Ptolemy Kong III and his Friends, and Professor Leo Starlion Zarus, left Cotolamia to seek refuge in the dinosaur world of Reptaria.
The story shifted 20 years later in the year 345 TE in Reptaria. We are introduced to Arthur Windbear Zarus, Mary Oceanbird Taros, Ricky Dandoros, Cindy, Tatso, Samuel Angus McSalman, and a talking Sumatran Rat Monkey named Ike. Mandark and Mojo Jojo watch them and decided to steal the Neurotomic Protocore. At the Zarus Residence, Arthur and his friends were magically transformed with magical ultra-super powers by the ghost of Emperor Thomas Utonium. Together, they decided to pick up Andrew Quintus, a Townsvillian Worker from his home city planet.
When they arrived on the City Planet of Townsville, They are pursued by Mojo Jojo at first, but escapes to the Townsville Research Center, where they saw Andrew Quintus being captured by Mandark and was going to be killed by him. Arthur Windbear Zarus challenges Mandark but as they fight Mandark turns himself into a dragon and drag himself and Arthur Windbear into the streets, where they fight as they fell. When the Dragon Mandark crashes into the street, Mandark turns himself into a Vastatosaurus Rex (the dinosaur from Peter Jackson’s King Kong (2005)), Arthur defeated Mandark who escapes. With Andrew Quintus now at their hands, Arthur Windbear and his crew returns to Reptaria. Hearing this, Mandark transformed into a Vastatodon, a fell beast-like creature which is based on John Howe’s Fell Beast Designs but with the body looking like a large predatory dinosaur and have two long arms with five-fingered claws on each hand, and Mojo Jojo rode on it to Reptaria.
After teaching them war plans, Arthur Windbear and his crew travels through the variety of Reptarian Environments, add a T-Rex and a Therizinosaurus to their list of friends, and survived a Iguanodon Stampede, and defeats an army of Raptors. In a Reptarian Jungle, they are threatened by an Allosaurus but Arthur turns into a Venatorilla (a ape that resembles Mo’ Mojo Jojo from the Powerpuff Girls Movie) and fights The Allosaurus and two of its brothers. After killing the Allosaurus’ two brothers, Arthur Windbear Zarus challenges the Leading Allosaurus in a cliff overlooking a river 35 feet below the cliff, and shatters beneath the Allosaurus’ feet. They fell into the river and pursued each other in the river and into the Endless Stairs of Veros and into the northeastern end of the highest peak of Mt. Veros, a mountain that resembles Mt. Everest, where Arthur Windbear Finally Killed The Allosaurus by threwing it down and smoting his corpse upon the mountainside. Arthur Windbear was wounded during the battle, but recovered in the Zarus Residence.
The 13 friends met up at the Zarus Residence and together they began their journey to Dia’xios, the largest spaceport in Reptaria. 30 days into the quest, Toveron the T-Rex brought down a larger Allosaurus, Crognor. Later, the 13 friends stopped at Terak the Troodon’s house and sends an email to the Tim Boxian and Reptarian armies to fight the Astronomeans to free Cotolamia. Finally the 13 friends reached Dia’Xios to be greeted by a Snake Plissken-like swashbuckler/hero/colonel, Talelnos. Meanwhile, Mandark and Mojo Jojo sends an army of Strong Borgs, Primakil, V-Rexes, and Megalocarnotaurs (the same dinosaurs that resembles a cross between Carnotaurus and Tyrannosaurus Rex, whom it was modeled after, as Disney’s Dinosaur) to the Astronomean Territory in Laurasia. But along the way, the Astronomeans, Primakil, V-Rexes, and Megalocarnotaurs were attacked by Talelnos’ troops but managed to move on to the Astronomeans’ Territory in Laurasia. Arthur Windbear Zarus began training the army for 4 days. The Night before the Battle, Arthur Windbear is visited by a holographic image of Professor Leo Starlion Zarus, his father. He told Arthur Windbear that not only his soldiers will drive the Astronomeans, the strength and power of the Tim Boxian Spirit, and the virtue of Tim Boxian Righteousness will also free Cotolamia.
The next morning, Arthur Windbear Zarus and Talelnos and Arthur’s 13 friends lead the Reptarian and Tim Boxian armies to Cotolamia, where an epic battle breaks and slave revolt breaks out between the Cotolamians, Reptarians, Tim Boxians, Astronomeans and Primakil. Later in the battle, Brutus Dracos reveals himself as an alien and fights Arhtur Windbear and Ptolemy Kong, who finally kills him when the explosion of the giant Astronomean War Marchine exploded, destroying the Astronomean and Primakil armies and the moving war towers with mechanical wheels and legs, Oliptowers. Suddenly, Mandark appears, transports Arthur Windbear Zarus and Talelnos and Arthur’s 13 friends, and the Tim Boxian And Reptarian Armies to his laboratories and threatened to introduce them to his armies of Strong Borgs. Arthur Windbear Zarus snaps at this threat, and challenges Mandark in a spectacular battle across Mandark’s Vast and Massive Laboratory, where Arthur Windbear Zarus won. Mandark, defeated by Arthur, swears, “I’ll get you one day, Arthur Windbear, one day.”
There were celebrations in Cotolamia and Reptaria, and Arthur Windbear and Mary Oceanbird was married, and they lived happily ever after. Thus ends the Birth of Mandark, though it continues with The Sword of the Phoenix and The Fall of Mandark.

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THE SWORD OF THE PHOENIX
On November 15, 346 TE, Dexter Andrew Zarus was born to Arthur Windbear Zarus and Mary Oceanbird Zarus. He was greeted by a probe named Clyde 100. He is then sent home to the Zarus Residence to be raised by Arthur Windbear and Mary Oceanbird.
7 years later, The Dinosaurs left their territories to go to work and do their daily jobs with the Reptarian Humans, aliens, and robots. Even the young dinosaurs, humans, aliens, and robots went to the greatest advanced learning facility and campus in the history of the Tim Box Galaxy, The Pokey Oaks Academy of Reptaria (an advanced learning facility that is for classes from Pre-K, Kindergarten, Elementary, Middle School, High School, College and university students.). Dexter was introduced to the leading teacher and principal of The Pokey Oaks Academy of Reptaria, Ms. Keane (in the Powerpuff Girls, she was the Powerpuff Girls’ teacher). For 9 years, Dexter Andrew Zarus grows up in the Pokey Oaks Campus, training to become an adventurer-warrior just like his father.
In the year 362 TE, The Powerpuff Girls are created when Dexter Andrew Zarus and Professor Steve Utonium mixed sugar, spice, and everything nice (which are made from the Tim Box Galaxy's best makers of sweets and candies), and Dexter tells the Professor to add Chemical X to the mix in order for them to have superpowers and in order for them to defeat The Astronomean Scourge. Then, A Strong Borg is ready to kill the Professor and Dexter and to steal the Chemical X flask. A fight ensues, until when the Strong Borg is ready to kill the Professor, Dexter bops the Strong Borg with a baseball bat, and he drop the Chemical X flask into the vat, which resulted in pink-blue-green flames springing up from the vat and into the sky. Then, it fell down to the spot near the vat, and the hocus pocus stirs the ingredients and blew life to the Powerpuff Girls, Blossom, Bubbles, and Buttercup.
At the age of 18, Dexter and Professor Steve Utonium travels in an Iguanodon (which Dexter rode) and a Ligocristus (Which the Professor rode), to a temple in the highest peak of Reptaria’s 2nd Tallest Mountain D2 (which resembles K2). God gave the magical sword of the phoenix more powers, and with their swords now with more magical powers, The Professor and Dexter rode back to Pangaea. Hearing this, Mandark like the news, and decided to challenge the Tim Boxians, the Powerpuff Girls and Dexter.
Over the next 4 years, Dexter fought in the Tim Box Wars, exploring the Tim Box Worlds, falling in love with a member of the Tim Boxian Armies’ organization, G.L.O.B.A.L., the black-haired, 19-year-old Amy Jane Honeydew, etc. etc. etc. The Powerpuff Girls befriends Dexter and the Tim Boxians, and having fun with a herd of Lambeosaurine Dinosaurs in one scene. But in the yeat 366 TE, Mandark and Mojo Jojo got the ingredients from hair, snails, and a tail stolen from Mandark's pet Smilodon, for the creation of the Rowdyruff Boys in a spectacular torch-lit ceremony in a area in the Astronomean Fortress Town of Ana'tor. Mojo Jojo drops the ingredients into a cauldron of Chemical X. And The Cauldron Answered: Red-Blue-Green flames srpang up from the cauldron into the sky. Then, it fell down to the spot near the vat, and the hocus pocus stirs the ingredients and blew life to The RowdyRuff Boys, Brick, Boomer, and Butch. Thus, The RowdyRuff Boys befriends the Astronomeans.
On July 369 TE, having his army defeated in a Tim Boxian Surprise Attack, and having been beseeched for 369 years, Mandark and Mojo Jojo sends themeselves and an Army of tens of thousands of Astronomean Strong Borgs, Verakil, and Primakil to Reptaria to attack Reptaria’s Capital City, Pangaea. Realizing this, Dexter, his friends, and the armies began readying to battle. The Powerpuff Girls put on their very cool spacesuits (the same as those in the PPG episode, Uh oh Dynamo!). And Dexter was putting on some special super-powered armor (similar to that of Terry Gilliam’s Brazil (1985)) by saying “where is the Tyrannosaurus and its prey? Where is the ape-like monster rampaging through the city? They have passed like meteors from space. Like fire in Astronoma. The days have gone down in Some Tim Boxian Planets. Behind the mountains, into darkness.” At 11 AM, they attack the Astronomeans and Primakil. What follows is a very spectacular battle ensues in Pangaea. At one point, Dexter fought Lord Draco Astronomenov, an organic Slakorian for the last time when he appears from his hovering shuttle. Then The Powerpuff Girls puts a bomb fueled with Chemical X into the shuttle, and Dexter pushes him back to the shuttle, where it explodes, sending Draco’s broken body falling to the city Streets below.
In the middle of the battle, Dexter shot an arrow dipped in Chemical X and fire to Mojo Jojo’s Brain, turning him into Mo’ Mojo Jojo, the same 25 foot tall monster in the Powerpuff Girls Movie. The Powerpuff Girls and Dexter began to chase him and all the way to a taller and fatter version of the Empire State Building, The Reptarian Research Center. The chase and battle atop the Reptarian Research Center will be similar to that of the 2005 remake of King Kong. At the end of the battle, Dexter plunges the Sword of the Phoenix to Mo’ Mojo Jojo’s heart, causing him to roar in pain. And with a sad, mortally wounded moan, Mo’ Mojo Jojo fell with the Antidote X to his death in the streets.
The battle is finally over, and the surviving Astronomeans and Primakil soldiers fled from Pangaea. Mandark found Lord Draco mortally wounded in the explosion of his shuttle, but he kept Draco alive with his powers; and Draco’s shattered, dying body was taken to the planet Astronoma where most of it was replaced with a droid body forged by the Astronomean Strong Borgs and Verakil that would complement his natural reflexes. The metamorphus was complete and Draco was renamed Lord Wilhelm Astronomenov. The suit, built of Durasteel and armorplast-plated Duranium, was built to resemble the Astra War Droids (which resembles the Krath War Droids in the Star Wars Expanded Universe.) His armorplast plates were strong enough to stop a bolt from even a starfighter's laser cannon. Each human-sized hand had four fingers and two opposable thumbs (three digits to each half-arm when they split to produce four arms.) His hands and feet were capable of magnetizing when needed, allowing him to grip on to surfaces with incredible strength, even in zero gravity. His feet also could work perfectly well as hands and he could grasp things with his hands and feet. His body was able to move in a seemingly unlimited number of unnatural ways with the twisting and alien movements of his body, almost exclusively to his unorthodox fighting style, and with the transform in almost unlimited ways, too. His internal organs were enclosed in a layer of pressurized synthflesh with an organic fluid to prevent the organs from being damaged by bacteria and harmful germs, and also to maintain a suitable temperature to keep his organs alive and functional. His organs were nourished by artificial artieries keeping them alive with blood from another Astronomean subject. allowing him to survive in a vacuum (in space, for example), an advantage he would display. This transformation, when combined with his ruthlessness as a warlord, turned him from a courageous, generous leader into an implacable killing machine, incapable of any emotion other than blood-lust and anger.
Mandark Told Wilhelm that Stardark, a battle station the size of a large moon is being built. Meanwhile Blossom, the leader of the Powerpuff Girls, holding a magic mirrior projecting images of Astronoma, told Dexter and company: “Mandark’s wrath will be terrible, his retribution swift. The Battle of Pangaea is over, the final war against Mandark for the next 24 years is about to begin. All our hopes now lie with ourselves in this galaxy.” The movie ends with the camera traveling through the tall buildings in Pangaea, which gave away to the rehabition center and the Astronomean countryside. Thus Ends The Sword of the Phoenix, though it continues with the Fall of Mandark.

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THE FALL OF MANDARK
Dexter Andrew Zarus was in his Iguanodon, Blue Spike, when he received a message from the Powerpuff Girls. Dexter saw a Vastatodon flying to the Kang Vale and into Minas Kang. Blossom told Dexter that the Astronomeans will lay siege on the Planet Mankook on May 14, 370 TE. Dexter then took off with his Iguanodon to Pangaea to warn his friends.
Meanwhile in Astronoma, Mojo Jojo arrived in the throne room with his hovering wheel chair; he was also resurrected in Astronoma and was has a super-powered, bionic robotic body inside his Primakil flesh tissue, making him a Primakil Cyborg. Mojo Jojo told Mandark to get the armies of Mojo Jojo and Mandark ready and march to Mankook within 5 months. Mandark agreed.
3 months later in the year 370 TE, Dexter and the Powerpuff Girls arrive at mines of V2, the second tallest mountain in Reptaria. Once they entered it, they are guided past smoking fissures of lava, intricate reproductions of Victorian scientific labs and eventually to a bank of elevators designed to bring visitors even deeper in to the planets center. It is hard to adequately describe how detailed and fully themed this area is. Every surface has been attended to, every structure crafted to exacting standards. Dexter and the Powerpuff Girls Look up and saw volcanic rock drilled out (a drilling machine can still be seen poking through a section of the caves ceiling allowing a hint of daylight to filter through) to create the caverns that hold the line. They notice how the floor is cracked, pock marked and perfectly in tune with the rest of the space. The walls are a mix of hardened magma and porous volcanic rock. Water drips from make shift duct work and electrical lines run through out the space, connecting the caged lights which illuminate your way. Some lava still glows a faint red, oozing down the rocky walls.
The railings are all brass, aged with time. All the metal surfaces have been oxidized and carry a soft patina. The air is musty and the temperature is rising. A majestic and sweeping score is subtly heard beneath the sounds of machinery and drilling. Retention walls of thick weathered steel hold back some rock while other areas show the signs of recent cave-ins. Along the way Dexter, Blossom, Bubbles, and Buttercup pass by several beautiful pieces of artwork, Victorian age sketches of the various explored areas of the caverns. It is here that you get a glimpse of things to come, etchings of crystal mines and looming mushrooms as tall as a house. Further along you pass by Captain Nemo's office and lab, both chock full of artifacts and mementos of recent journey's. Then, Dexter and the Powerpuff Girls reach the "terravators" which are in essence elevators through earth (above). Another detailed diagram shows their position at the Earth's surface and your eventual goal at the base camp hundreds of feet below you. The detail here is again complete. The terravators position in the caverns is marked with faceted gems, the doors are rusted and aged, the railings are worn. The scope of the Victorian age technology seen through out the sequence is typical of a lush movie set. After boarding the equally well themed elevator cars they start to descend. The floors shakes, gusts of wind blow by and gauges spin. The effect of descent is as good as it needs to be, but is not perfect. The addition of a visual aid indicating movement would have helped. Once the doors open Dexter, Blossom, Bubbles, and Buttercup look out onto a totally new world.
To their left is a sheer wall of rock, and in front of them is a giant bellows pumping in fresh air from the surface. This area is darker, more foreboding and physically hotter than on the surface, an amazing continuation of the queue. The electrical lines can still be seen strung from the ceiling – Dexter and the Powerpuff Girls follow them and saw them terminate into a giant generator, sparking and whirling as it powers the place. Fog pours from an opening at the far end of the queue as they continue, descending on ramps. Past some more machinery and then over rocky riverbeds they finally get a glimpse of the load area and the vehicles. Each car which will carry you on your adventure, seats six passengers in three rows of two. On the front is a large earth moving shovel, Dexter and the Powerpuff Girls also saw that the wheels are guarded by steel plates and there is a safety cage surrounding the occupants. The seats are plush red leather-like affairs that fit the theme absolutely perfectly. Glance around them and the details continue to pop, along the wall of the load area giant spirals in the rock are visible, the tell tale signs of drilling. Lights flicker as the generator struggles to keep the power flow constant, and the hum of sputtering machinery and general low lighting gives a feel similar to that of an engine room on a great ship. Once boarded the cars smoothly accelerate and Dexter, Blossom, Bubbles, and Buttercup are on their way.
They start off cruising past the crystal caverns they had seen in the sketches. Glowing pods of giant crystal rods surround us. Luminescent spires of pulsating color and light, the crystals are just the first of many exciting things to come. These early sections of the caves are well lit and labeled with signs... Dexter and The Powerpuff Girls are after all in the explored and well traveled areas of the dig site. They continue to descend past a dark hollow filled with glowing, whining creatures and emerge in the mushroom forest. It is important to understand that this is not a flat ride that takes place on one level, the cars are traveling up and down at different points... at this juncture we are still descending. They now enter the mushroom forest. Here they pass giant mushrooms ranging in size from a few feet to 15 feet or so in height. In and among them are fantastical creatures of all sorts. Jumping spider-like bugs, furry aliens and iridescent living plants all make this their home.
As they continue deeper they begin to speed up slightly. Dexter, Blossom, Bubbles, and Buttercup reach that point "where something goes terribly wrong!" They come upon a collapse that has blocked our intended path and they veer to the left instead, going over a rough and bumpy patch and off of the lighted path we were on. They continue through uncharted chambers zipping around until emerging in a larger area. Here, to the right Dexter, Blossom, Bubbles, and Buttercup see an opening overlooking an underground sea. Lighting flashes in the distance, and a roll of thunder fills the air. It's a very convincing effect as we get a real sense of depth and space. Rounding the corner to the right a huge lightning bolt flashes, hitting the ground right next to the Powerpuff Girls it catches them off guard.
Suddenly a shadow of what appears to be a creature with the body of a humanoid T-Rex, large black and red wings of a bat, and the head, horns, small pebbly scales, conical scutes, and tail of the Carnotaurus from Disney’s Dinosaur, flashes to our left across a rocky wall. Buttercup said to Dexter, “what is this stupid devilry?” Dexter Said, “A Vulcanotaurus, a demon from the center of V2.” Out of control they bounce forward past a flowing river of lava. On their left is a huge ball of fire and we can feel the heat. The car turns to the right and they came upon the 18-feet tall Vulcanotaurus who lands safely on the Ground, stares at them and then let out a roar that sounds like it is made out of rock and lava, and Shadow, and rears back like the Carnotaurus near the end of Disney’s Dinosaur. He lunges forward at Dexter and the Powerpuff Girls, molten rock bubbling around him. The car takes off like a bat out of hell with the Vulcanotaurus in pursuit. They go flying up, twisting and turning along the way in near blackness. The Car stops when Dexter Challenged the Vulcanotaurus but before Dexter could kill the Vulcanotaurus, Light can be seen up ahead... there's a smoke filled opening and BOOM! Dexter, The Powerpuff Girls, and The Vulcanotaurus got blasted out of what seems like the top of the volcano. Feeling the cool outdoor air for a moment, which is a relief from the musty heat inside the caves, Dexter, Blossom, Bubbles, and Buttercup, except for the Vulcanotaurus, who got perished in the eruption and fell back to its top, lift from their seats and catch a moment of air. Suddenly the car plunge back down and into total darkness. Still accelerating they go whipping around the entire caldera of the volcano. In one large loop they traverse the perimeter of the mountain land of Veros in total darkness.

Finally Dexter, Blossom, Bubbles, and Buttercup emerge at the unload station, back on safe ground. Again this area is just as fully themed as those before it. After disembarking from the vehicles, we descend a spiraling staircase which twists around a huge set of pipes until they exit back into the cavern system that makes up much of the mountain lands of Veros.
After exiting the cavern systems, Dexter, Blossom, Bubbles and Buttercup stumbles upon the Kang Vale, the gateway to the fortified Minas Morgul-like city of the Astronomeans, Minas Kang. When they reached the entrance to Minas Knag, Bubbles said to Dexter, “Dexter, tell me what’s this horrible place?” He replies, “Minas Kang, Bubbles. It’s the Mountain City of the Astronomeans. It’s a very nasty place full of enemies.” When Buttercup tried to reach the gates of Minas Kang, the ground began to shake, and suddenly, without warning, red, green and blue flames springing up from the Tower of The Astronomean Moon and into the sky. Suddenly, The Rowdyruff Boys appears and with Mandark with his Vastatodon. The Rowdyruff Boys’ Leader, Brick, said to Mandark: “We’ve come to kick some ass! And Since you are the only one around, let’s start with the people of Mankook!” Mandark Replies “Yes. What we want are people settled in the Mankookian Throne of Justice, nestled between the pillars of peace and love. What we want to destroy are Mankook’s people, down to the last child.” Then, He said to his Vastatodon, “Alert the troops, Red Claw, We attack on Monday.” And with that, The Vastatodon roars, and the gates of Minas Kang opens to reveal the Strong Borgs, Verakil, and Primakil going out of the gates and into the Astronomean Fortress and Gathering of the Astronomean Reptarians, Catom’nar. Dexter and the Powerpuff Girls took off to Pangaea, Reptaria and told his friends and army to get ready for the Battle for Mankook. Everyone got ready. Dexter, and Amy Jane Honeydew enlisted 600,789 Tim Boxians and Mankookians, while Mandark, Lord Wilhelm, Mojo Jojo, and Salmanos III enlisted 700,465 Strong Borgs, Verakil, Primakil, and Astronomean Battle Droids for what will become the great battle of the Tim Box Wars. Note: in the 1,049 years leading up to the formation of the Tim Box Federation of Galactic Systems in the year 3625 BTE (Before the Taleozoic Era), 656 supreme chancellors and senators of the Townsvillian Republic were confronted with Astronomean revolution in the Tim Box Galaxy. In the year 3610 BTE, The Tim Box Federation of Galactic Systems declared war on the Astronomean Empire. Over the next 4,010 years, more than 65,875,986,487 Tim Boxians, Astronomeans and Primakil, died in a series of wars that will sometimes be notorious for the people of the Tim Box Galaxy.
3 Days later, The Tim Boxian and Astronomean troops arrived at Mankook’s Capital City, Taimentia. Dexter rallies his troops by quoting from Ezekiel 25:17: "The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he, who, in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who would attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon thee. This would sharpen your mind and make you ready for a bit of the battle for Mankook. (Raising the Sword of the Phoenix) Tim Boxians Forever!” And with that, both Tim Boxian and Astronomean armies charges, and so began the Siege of Mankook, which drew inspiration from modern warfare, the D-Day Invasion, Star Wars, The Battles in The Lord of The Rings, and the urban race riots and anti-war protests of the 1960’s. In the heat of battle, they fought with the sword, the spear, the bow and arrow, the machine, the gun, the bomb, the torch, the club, and the iron fists of both nations. In the end, the Astronomean siege was crushed by Dexter and Amy Jane Honeydew, after a close encounter with Lord Wilhelm Astronomenov. The Tim Boxians have won.
During the year 371 TE, Dexter fought in the Tim Box Wars, exploring the Tim Box Worlds, falling in love with Amy Jane Honeydew, etc. etc. etc. In the year 372 TE, One night, two days before Mandark kidnaps Amy Jane, Dexter was swimming in the large swimming pool in the Zarus Residence, when Amy Jane (in her two-piece white bikini swimsuit) join Dexter in the water. Then, Amy Jane and Dexter kiss and have sex, with Amy Jane holding on to Dexter’s body, while they kiss.
One day, on April 28, 372 TE, Dexter noticed that Mandark has completed a battle space station the size of a large moon, Stardark, and kidnapped Amy Jane Honeydew, and sound the alarm siren to the Tim Boxian and Reptarian Armies. So they retaliate Stardark’s attack by attacking Stardark with an armada in Space led by Dexter and Professor Steve Utonium, and The Powerpuff Girls lead 500,000 Tim Boxians, Reptarian Ten’Jai and Gangstalings, a race of urban street gangs (most of them all races) with urban armor considered exotic for any Earth Street Gangs, against 600,000 Astronomeans and Primakil and also V-Rexes (the dinosaurs from your 2005 remake of King Kong), and Megalocarnotaurs (the dinosaurs from Disney’s Dinosaur (2000)) that are equipped with huge war towers on their backs to carry the Strong Borgs, Verakil and Primakil.

The Powerpuff Girls flies in triumphantly and kisses them in the cheeks like they're ready to fight. They screamed in agony. The sweetness in the Powerpuff Girls' Kisses (though when they kissed The Rowdyruff Boys, they look like they're ready to fight.), combined with the Rowdyruff Boys' natural nastiness resulted in the Boys falling and landing on a Vastatosaurus Rex with a explosive chemical reaction, setting the V-Rex as well as the War Tower on its back, on fire! The V-Rex Screams, and knocks over a Megalocarnotaurus (also with a war tower on its back), who screams and lands on each other's back.
Meanwhile, after a spectacular space battle, Dexter and Professor Steve Utonium have reached the interior of Stardark and into Mandark’s Throne Room in Stardark. Mandark, as a surreally-armored warlord, saw them and said, “Dexter Andrew Zarus, you are a bold one.” Mandark and Wilhelm fights Dexter and The Professor, but suddenly, in the middle of the Battle, The Powerpuff Girls flew in and beats Mandark and Wilhelm down to size, until Blossom uses the force on Wilhelm and crush his organ sac, and that it explains why, in Tom Amuck Begins (which will be released November 2016), he constantly coughs and wheezes when he talks. Wilhelm was defeated, and now Dexter has to challenge Mandark for the last time, and so the final battle occurs. When Mandark tried to slash Dexter with his sword, Dexter cuts his fingers off his right hand, and Mandark fell to his death in Stardark’s nuclear reactor core and explodes. Dexter, Amy Jane, The Professor, The Powerpuff Girls, Mojo Jojo, and Wilhelm, all of the Astronomean Fleet (except for 3 Star Destroyers), and all of the Tim Boxian Fleet managed to escape from Stardark, just as it explodes just like the Alien Mothership in ID4: Independence Day.
The battle was finally over, and 6 months later, Amy Jane Honeydew, now wife of Dexter has a son, Tom Amuck Zarus, and Professor Utonium becomes the new emperor of the Tim Box Galaxy. Everyone thought it was the end of Mandark, but it was only the beginning. Dexter’s Odyssey ended with the Powerpuff Girls flying through the Reptarian Landscape. Thus ends the Dexter’s Odyssey Trilogy.

So what did you think of my story?

[timbox129]

You Know, For Dexter's Odyssey: The Birth of Mandark, I want to see a Therizinosaurus eating in the trees....Like This.

[/img]C:\Documents and Settings\timmy\My Documents\My Pictures\Therizinosaurus.jpg[/img]

For Dexter's Odyssey: The Sword of the Phoenix, I want to see an Iguanodon rearing up on its two legs when the sun rises during the opening song (which will be similar to The Circle of Life from Disney's The Lion King)...Like This.

[/img]C:\Documents and Settings\timmy\My Documents\My Pictures\IgaunaV2.jpg[/img]

Also during the opening song, I also want to see a Megalosaurus attempting to attack an Othnielia Rex, before stopping to see a squardron of T-Wing Fighters passing by and left with the Othnielia Rex....Like This.

[/img]C:\Documents and Settings\timmy\My Documents\My Pictures\Megalosaurus_clr.jpg[/img]

And, if no one get this case, the dinosaurs are drawn and are references to this guy, a paleo-artist named Todd Marshall.

[timbox129]

You Know, For Dexter's Odyssey: The Birth of Mandark, I want to see a Therizinosaurus eating in the trees....Like This.



For Dexter's Odyssey: The Sword of the Phoenix, I want to see an Iguanodon rearing up on its two legs when the sun rises during the opening song (which will be similar to The Circle of Life from Disney's The Lion King)...Like This.



Also during the opening song, I also want to see a Megalosaurus attempting to attack an Othnielia Rex, before stopping to see a squardron of T-Wing Fighters passing by and left with the Othnielia Rex....Like This.



And, if no one get this case, the dinosaurs are drawn and are references to this guy, a paleo-artist named Todd Marshall.

oops. I forgot the pictures.



img364.imageshack.us/my.php?image=therizinosaurusju5.jpg

img364.imageshack.us/my.php?image=igaunav2mr4.jpg

[timbox129]

Wouldn't be cool if The USC School of Cinematic Arts (located in University of Southern California), Walt Disney Pictures, Tim Box Animation Studios, Tim Box, Legendary Pictures (which Tim Box will purchase after their 5-year deal with Warner Bros. ends), Touchstone Pictures, Jerry Buckheimer Films, Walden Media, Cartoon Network Studios, The Weinstein Company, Miramax Films, Dark Horse Entertainment and Ricardo Delgado will turn Ricardo Delgado's Age of Reptiles into a series of 4 films in 2 motion pictures created for the teenage and adult audience under the Walt Disney Pictures banner? All things' certain. These films might be either rated PG-13 or Rated R.

Age of Reptiles: Volume One: The Hunt began with a 13-minute live-action prologue involving a group of high school grads after a visit to the mall are greeted by an ultra-cool passager from the future (which will look more like Rufus from Bill And Ted's Excellent Adventure) who convinces him to write on a magic diary about the Age of Reptiles. The moment they started writing, the further back in time they travel while they write. Part one of Volume One starts out with Dawnhead, a Eoraptor and Big Jaw, a Herrerasaurus' journey to Triassic North America to defend a tribe of Coelophysis from an army of Postosuchuses and Saurosuchus. The second act of the film covers the story of Ice-Crest a Crylophosaurus and her Dilophosaurus companion, Samson. And the third act is where A Megalosaurus, Noah, traveling through the Middle Jurassic World and ends with the events before Age of Reptiles: The Hunt. Part II of Volume One will be The Hunt, After a mother Allosaurus, Chula, is killed by a pack of Ceratosaurus led by Big Nose, her son Santo must avenge her. He befriends a family of diplodocus and defends them from Big Nose's pack.

The Release Date for Volume I will be December 16, 2016. Theatrical Running Time: 3 hours and 12 minutes, 3 hours and 58 minutes for the unrated extended cut.

Age of Reptiles: Volume Two: Tribal Warfare began with Part III, Tusker. When the leader of a herd of Iguanodon is killed by a army of Giganotosaurus and Suchomimus, led by the evil Big Claw, and his Suchomimus Lieutenant, Croc-Jaw, Tusker, a heroic Iguanodon must avenge him. He and the Iguanodon Herd befriends a family of Argentinosaurus and defends them from Big Claw and Croc-Jaw's army. Then Part IV: Tribal Warfare began. A pack of Deinonychus get revenge on Blue Back, a Tyrannosaurus who stole their well earned meal, by stealing all of his families eggs but one. It ended with the K-T extinction event, and a happy ending in the modern world with the high-school grads.

The Release Date for Volume II will be December 15, 2017. Theatrical Running Tiem: 3 Hours and 20 minutes, 4 hours and 08 minutes for the unrated extended cut.

The film will combine Hand-Drawn Animation with 3D CGI and the Deep Canvas technique used in Disney's Tarzan (1999) and Flash Animation. The Music of the 4 Age of Reptiles films will sound like that of the Power of One, The Lion King, Congo, The Lord of the Rings, Disney's Dinosaur, Disney's Mighty Joe Young, Batman begins, and Gladiator and will also be African-themed. The post-production sound services and sound editorial and design will be by Skywalker Sound and Park Road Post. The film will be a co-production of Walt Disney Pictures, Tim Box Animation Studios, Tim Box, Legendary Pictures, Touchstone Pictures, Jerry Buckheimer Films, Walden Media, Cartoon Network Studios, The Weinstein Company, Miramax Films, Dark Horse Entertainment, USC School of Cinematic Arts, USC's Animation and Digital Arts Program, and Ricardo Delgado himself.

Like Disney's Frog Princesss, Ricardo Delgado's Age of Reptiles The Motion Picture Series will be 2D with a gigantically massive bit of 3D, Flash Animation, and Deep Canvas techniques to the mix.

The 2 Age of Reptiles film Volumes' aspect ratio will be 2.35:1 Digital Widescreen. Development and pre-production will begin May 2010 For A Christmas Release between 2016 and 2017.

15,678 layout artists, animators, assistants and inbetweeners, special effects artists, background painters, computer animators, checkers, scene planners, painters, and assorted other artists and techinicans, especially from Disney, Cartoon Network, Tim Box, and USC, and especially Eric Goldberg, Glen Keane, Genndy Tartakovsky, Craig McCracken, and Richard Williams will work on the 2 epic films, and the 2 Age of Reptiles films will be treated to match the original look of the comic books. a 486-minute merged workprint of the 2 volumes will be broken down into 126 sequences and 7,825 scenes.

There will also be a 1,998-page making and art-of book called The Age of Reptiles Chronicles. The main focus on the book will be the history, development, production and release of Ricardo Delgado's Age of Reptiles: The Animated Motion Picture Series. Book One: The Making of Ricardo Delgado's Age of Reptiles: The Animated Motion Picture Series will be 654-pages long, and Book Two: The Art of Ricardo Delgado's Age of Reptiles will be 1,172-pages long. The size of the book: Height: 11.3 in. Width: 9.0 in. Thickness: 0.5 in. Weight: 22.4 oz. The DVD, Blu-Ray Disc, and HD-DVD releases will contain three different releases: a 2-Disc Special Edition, featuring the theatrical cut, the 4-disc Defintive Collector's Edition containing the unrated extended cut, and a 6-disc collector's gift set. These DVD releases will sport direct-to-digital anamorphic widescreen transfers, Dolby EX 5.1, and DTS ES 6.1 audio, and extensive bonus materials.

The Films will be mixed at Skywalker Sound, Todd AO Soundelux, Buena Vista Studios, Saul Zaentz Film Center, timResolution, and Park Road Post in Dolby Digital Surround EX, DTS ES, and SDDS 8-Channels, and will be exhibited in D-Cinema, Disney Digital 3D, and in IMAX Format in an aspect ratio of 1.98:1. This will be the greatest animated film series ever made.

There will be a series of 21 new comic book issues for Ricardo Delgado's Age of Reptiles Called Age of Reptiles: The Extended Experience with 3 new issues of Tribal Warfare, 2 new isssues of The Hunt and the two 8-issue comic book serials, Genesis, and Tusker. Once they're all published, Then, Tribal Warfare and the Hunt will also be reissued in Trade Paperback editions and also as part in a 1,150-page merged graphic novel featuring all 30 issues in chronological order called Ricardo Delgado's Age Of Reptiles: The Extended Experience. The size of the merged graphic novel: Height: 10.5 in, Width: 13.5 in, Thickness: 0.8 in, Weight: 29.6 oz.

I'll Describe the Animation Production Processs for Age of Reptiles:

It is a 2D/3D/Flash Animation Hybrid Production Process. The Artwork will start out hand drawn on paper as usual, and then, the characters, backgrounds, etc. will be cleaned up in the Illustrator and CAPS Animation System, Which Tim Box will revive, which means its vector-based art and is treated to match the original look of the comic books. Then we can take it to Flash and Renderman, which allows the characters and the techincal effects to be broken up and composited in AfterEffects, Photoshop and Disney's Deep Canvas.

Phillip Glass, Vangelis, and Mark Mancina, in my opinion, are who I want for the music of the 2D Hand-Drawn/3D CGI/Flash Animated production of Disney/Tim Box/Ricardo Delgado's Age of Reptiles. and the sound that I'm looking for the music of Age Of Reptiles will be Orchestra/Electronic Synthesizers/Chorus/African Mood/tribal world-beat percussion. Plain and simple you guys.

And here's what the trailer music will be like in one of the trailers for Disney/Tim Box/Ricardo Delgado's Age of Reptiles:

www.epdlp.com/asf/takemitsu1.wmv

This is the taiko drum opening music from the 1993 20th Century Fox film, Rising Sun, based on the novel of the same name by Michael Crichton.

Philip Glass, Vangelis, and Mark Mancina will defintively composed the music of Disney/Tim Box/Ricardo Delgado's Age Of Reptiles which will have a Orchestra/Electronic Synthesizers/Chorus/African Mood/tribal world-beat percussion type of sound. And it might sounded like the music of the Lion King and Track One of John Debney's Musical Score for the 2006 animated box office flop, The Ant Bully. It is called Parade of Ants. And I think the theme music for Disney/Tim Box/Ricardo Delgado's Age Of Reptiles will sound like that. So what will you think of Phillip Glass, Vangelis, and Mark Mancina's Music of Disney/Tim Box/Ricardo Delgado's Age Of Reptiles if it has a Orchestra/Electronic Synthesizers/Chorus/African Mood/tribal world-beat percussion type of sound? What will you think of Disney/Tim Box/Ricardo Delgado's Age of Reptiles?

[ie]

The world of timbox is a strange and confusing place, however, I do appreciate the free donuts.

[timbox129]

Do not be confused everyone, Everything's alright. and I know what Mandark looks like in Dexter's Laboratory. he is Dexter's Rival, a annoying, black-haired nerdy guy who once competes with Dexter. Oh, and his clothes: From Season One To Season Two, He wears a buttoned white shirt, blue shorts, black socks, and brown shoes. From Season 3 thru Season 4, A Tie is added to his clothes. Starting from Ego Trips Onwards, He wears the most evilest, darkest, and scariest caped supervillian costume you have ever encountered: LIKE THIS!!!! His cape was black and red, his costume and claw gloves was also black and red. He carried monstrous weapons and even plotting Dexter's downfall. He is more eviler than himself, his laboratory darker than itself, and his plans, diabolical and nastier, THAN THEMSELVES!!!!!! Even two hippies named Windbear and Oceanbird raises him and mistaken him as Susan, even though his true real name is Astro Nomenov. In the Dexter's Odyssey Trilogy, The Human Mandark will be the same as the one in the beginning of Dexter's Laboratory: Ego Trip, while the Demon Mandark has a Horned, ballooned-shaped head with the Human Mandark’s Face, a Long, Black and Red Cape, A body resembling a upside-down smiley box, two arms with claw hands, and a pair of legs that resembles a cross between a T-Rex’s and a Bird’s. The Demon Mandark will be realized through CGI with a guy in a computer-controlled animatronic Demon Mandark costume suit to the mix, while The Human Mandark will be played in an actor in a Caped Marauder Mandark costume, with his voice altered and combined with Eddie Deezen's Voice during post-production. So what will you think of my depiction of Mandark in Dexter's Laboratory and the Mandark in Dexter's Odyssey?

[timbox129]

and I'll tell you guys, If you either already own or didn't get the Clerks II special edition DVD yet, I'll tell you there will be a sequel to Clerks and Clerks II will began pre-production in March 2012, 3 months before Dexter's Odyssey: The Birth of Mandark will be released in May 2012. It is Called, CLERKS III: THE LOST WORLD.

In March 2012, Tim Box, USC School of Cinematic Arts, View Askew Productions, 20th Century Fox, Paramount Pictures, DreamWorks Pictures, Legendary Pictures and The Weinstein Company will announce a modern update of Sir Arthur Conan Doyle's novel the Lost World under the title, Clerks III: The Lost World, being another sequel to Kevin Smith's First Film, Clerks (1994). It will be made using 24P High Definition Digital cameras for an October 2017 release. Here's The Plot:

The journal of Maple White and his friend Veronica Loughran is recovered from Seperdouniversus, a large island off the coast of South America, featuring sketches of dinosaurs, which is enough proof for Professor Challenger AKA Silent Bob and Professor Jay that dinosaurs still walk the earth. With that, Dante Hicks , Randal Graves (whom wishes to go on the expedition to impress his fiance'), "Silent Bob" Challenger, Jay and Elias (as well as an Brazillian servent, Zambo) leave for Seperdouniversus. They get onto the island by plane, enters the plateau by going through the seacoast, cuts down a tree and using it as a bridge, but it is knocked over by a Carnotaurus, leaving them trapped. The explorers are shocked when they discover that a large rock has been sent their way by an ape-man (which will resembles and sound like a silverback gorilla.) perched on top of a ledge. As the crew look up to see their attacker, Challenger spies a Quetzalcoatlus overhead and proves that the statement in Maple White and Veronica Loughran's diary is true. The explorers witness various life-and-death struggles between the dinosaurs of Seperdouniversus. During which, an allosaurus and Tyrannosaurus pack makes its way to the camp site and attacks the exploration party. It is finally driven off by Dante Hicks, Jay, and Silent Bob who throws a burning torch into the beast's mouth. Convinced that the camp isn't safe, Dante climbs a tree to search for a new location, but is attacked by the Silverback Gorilla-like ape-man. Jay and Silent Bob succeeds in shooting the ape man, but the creature is merely wounded and escapes before They can finish him off. The explorers then make preperations to live on the plateau potentially indefinitely. A catapult is constructed and a in search for Maple White and Veronica Loughran, They are rescued. It is at this time that Dante confesses his love for Elias and the two are unofficially wed. Shortly afterwards, as the paleontologists are observing an Iguanodon, it is attacked by an Tyrannosaurs and falls of the edge of the platue, and swims ashore from the river. Soon afterwards, The Ape-Men's leader, a 25-foot tall Silverback Gorilla-like ape man named Brutus menaces a herd of ceratopsians, causing a mass stampede among the dinosaurs of Seperdouniversus. In the end, the crew is saved when Elias' pet monkey Chico climbs a rope up the plateau and the crew climb down. As Dante makes his descent, he is again attacked by the ape-man and Brutus who pulls the rope later. The ape-man is again shot, and this time killed as well as Lord Brutus, by Dante. The Iguanodon that was pushed off the plateau had swam ashore in the river, and Dante, Jay, "Silent Bob" Challenger, Elias and the others manages to bring it, along with a Triceratops, Tyrannosaurus, Allosaurus, Ceratosaurus, Therizinosaurus, and a Pack of Utahraptors back to London, as they want to put it on display. However, they escapes and engages in an epic battle until it reaches the London Bridge, where Dante, Jay, and "Silent Bob" Challenger defeated the meat eaters. Jay and Silent Bob waves goodbye as the creatures leaves, whereas Dante with Elias, allowing him and Elias to be together.

Here's the bestiary:
Apatosaurus, Carnotaurus, Gallimimus, Hypsilophodon, Maiasaura, Mussaurus, Pachycephalosaurus, Parasaurolophus, Procompsognathus, Stegosaurus, Triceratops, Tyrannosaurus, Velociraptor Cearadactylus (not a dinosaur), Dilophosaurus, Euoplocephalus, Hadrosaurus, Microceratops, Ornthiella, Drinker, Styracosaurus, Chasmosaurus, Iguanodon, Megalosaurus, Allosaurus, Ceratosaurus, Utahraptor, Megalosaurus, Dimorphodon, Glyptodont, Megaloceros, Icthyosaur
Plesiosaur, Corythosaurus, Lambeosaurus, Megatherium, Smilodon, Phorusrhacos, Toxodon, An unidentified 50ft snake, An unidentified phosphorescent mammal Ape-Men, Lord Brutus, a Giant Silverback Gorilla, Grape-sized ticks, Large moths, Capuchin Monkey, Chimpanzee, Unidentified lizards with frills and feathers, Anaconda, Cayman or Alligator Marsh Deer, Leopard, Peccary, Python, "Spectical Bears", South American Tree Sloth, Ornitholestes, Therizinosaurus, Quetzacoatlus, Pteranodon, Deinonychus, Ankylosaurus, Ornithomimus, Struhiomimus, Plateosaurus, Guanlong Wucaii, Dilong paradoxus, Eotyrannus, Oviraptor, Protoceratops, Baryonyx, Spinosaurus, and Suchomimus, and Ouranosaurus.

The film will be framed in an Aspect Ratio of 2.35:1, The Film will be made for a budget of $295 million, the visual effects and the dinosaurs will often be realistic, the Lost World itself will be a blend of live action sets, minatures and digital CG environments, the actors and actresses will range from those who star in Clerks I and II to familiar faces, The partially-exotic music will be by James L Venable and Mark Mancina or whatever you're saying, the plot will be a modern update of the 1925 version and the original 1912 novel, Designers and Artists will go to a more lush realism for their depiction of Seperduniversus, the soundscapes will be by Skywalker Sound, the film will have a theatrical running time of 2 hours and 58 minutes, and a total of 45 minutes will be cut from the film, and the film will stay in theaters for 338 days followed by on October 2018, three different versions on DVD, Blu-Ray Disc, and HD-DVD on the same date, a 2-Disc Special Edition, featuring the 178-minute theatrical cut, a 4-disc Deluxe Collector's Edition, featuring a 223-minute unrated extended cut, and a 6-disc Ultimate Collector's edition featuring both the extended and theatrical versions plus a bonus disc featuring a newly-restored version of the 1925 silent version of the Lost World. Clerks III: The Lost World will be released on October 13, 2017 by Tim Box, View Askew Productions, 20th Century Fox, Paramount Pictures, DreamWorks Pictures, Legendary Pictures and The Weinstein Company.

So, What will you think of Clerks III: The Lost World between 2012 and 2017?

[timbox129]

Um Guys, This is for the Old Mill High School Art Department and Weta Workshop and Weta Digital:

To: Weta Workshop and Weta Digital and The Old Mill High School Art Department

From: Timothy Robert McKenzie

RE: The Dexter’s Odyssey Trilogy Visual Effects and Animation Memo

VFX and Animation Notes:
The storyboards accurately reflect the shots we need for the Dexter’s Odyssey Trilogy, Film Club’s next $865 million Epic Production after the Skyler Project to the extent that artwork boards can ever capture the feel and visual dynamics of a moving, three-dimensional shot of today. Please use them for budgeting purposes, Knowing that a second and third stage of storyboarding will be required.

The Second Phase will consist of the redrawing of some boards to reflect changes resulting from our extensive conversations together as to the techniques and dynamics of the visual effects and animation shots. Hopefully, this will be only a small or large portion of the existing shots, but I want to leave the door open for creativity so each shot can be the most visually exciting, dramatic and/or story efficient shot possible.

The Third Phase will be to shoot move tests or previsulization animatics or video storyboards of those shots in with the motion dynamic is critical. I will participate directly in the shooting and animating of those previsualization animatics, because I have found this to be a very creative time in the planning of complex shots. It allows me to work directly with the people who will executing the actual photography before the fact, and to convey my needs to them; and of equal importance, it gives me a better grasp of the visual effects and animation elements, staging, composition and style of the scenes for our own digital cinematography. You and I will use a fairly approach here, utilizing the computer and Previsualization Tools and editing techniques, and utilizing any camcorders and cellphone cameras you want to choose and minature sets build by you, Weta Workshop. Patchwork composites on HD Digital Video may be required for shots combining Live Action Sets and Locations, Minatures, and digital computer-generated Environments and matte paintings. We’ll find that scale speeds of vehicles and dinosaurs, shot length, lighting design, and a myriad of other critical concerns can be solved at this stage without tying up valuable stages and personnel for testing on High-Defintion Digital Videotape.

The second and third stages of the storyboarding will be begun as soon as the effects work begins in earnest, i.e.: when the contract between you and us has been negotiated.

Please bear in mind at all times that the suggested methods are exactly that. These will sometimes be included to convey the visual style and feel required of the shots, since we’ll find that the “Look” is usually determined by the techniques. If other methods make sense, either from an aesthetic or financial standpoint, then we’ll welcome them.

The Exception to this is the planned use of miniatures and digital computer-generated environments and matte paintings work with the hi-tech TIMeffects visual effects camera. We will found this technique to be very effective in conveying a sense of immediacy and subjective involvement in the miniature and Digital CG environments and matte paintings which far outweighs the use of motion control VFX cameras such as the Dykstraflex used in Star Wars (1977). I found the TIMeffects VFX camera, faster, better and more hi-tech than the Motion Control VFX camera used in Star Wars (1977)and we will explore this method further to the extent indicated in the PreViz Animatics and VFX tests, since this project affords us the opportunity to use The Visual Effects and Animation Tools of Today and the TIMeffects VFX camera, and MASSIVE software used in the Lord of the Rings (2001-2003).

PROCESS:
All process, unless otherwise noted, will be done using the advances of technology and rear projection of 2.35:1 Anamorphic to be rephotographed on HD Digital Video Tape in an aspect ratio of 2.35:1, for release in D-Cinema, Disney Digital 3D (since it is a co-production of Tim Box, The Old Mill Film Club, Disney, Universal, Twentieth Century Fox, Miramax Films, The Weinstein Company, Wingnut Films, Cartoon Network, M Dot Strange, and The USC school of Cinematic Arts), and in the IMAX Format.

The Effects Company, Weta FX Ltd., NZ, will have the responsibility of creating the minature and digital background plates and delivering them sufficiently in advance of the scheduled date of Prinicpal Photography between June 4, 2008 and November 26, 2010 to allow testing and directorial peace of mind.

You will also be responsible for setting up, maintaining and operating the process equipment, including digital projectors screens, etc., on the set. Rephotography will be directly supervised by myself and the first unit cameraman, in consultation with a representative of the effects company and the Dexter’s Odyssey art department.

We will anticipate using a TV or VCR at Mr. Watts’ room, with a video camera. I would like the rephotography stop to be as high as possible….TBD. Some Shots may required a DVD Disc. I would feel comfortable with DVDs and HD Tapes as back up and Camcorders on hand. You will encountered the term, DINOSAUR PROCESS in the board notes. This is something I want to do which, to my knowledge, more or less been done. I would like to put actors, or doubles, or dinosaur models in front of a large window. The patchwork of live action, minature, and digital elements will be used to create wider vistas behind the human, alien, robot or dinosaur actor. Their movement will tell the eye they are definitely be on the land, sea, or air. The physical sets will be which the actors and actresses will interact. The Minature Sets will extend the full scale sets and to serve as settings for digital action. The Digital CG environments and matte paintings will extend beyond the miniatures and into the distance, creating wider vistas and add details such as sky, waterfalls, falling rocks, dinosaurs, cities, etc., etc., etc. It could be brought on line very easily. The division of responsibility will be identical to the other process shots, with me supervising and the D.P. Shooting.

The Dinosaurs And Bigatures of of Dexter’s Odyssey

These will definitively be the most realistic-looking dinosaurs ever conceived for film since the Jurassic Park Films (1993-2001). The Dinosaurs will be used in Dexter’s Odyssey and other stories in much the same way we had used them; as marvelous, living animals who are the servants of The Tim Boxian Humans, Aliens, and Robots of Reptaria, and will often be heros (for some predatory dinosaurs and for the plant-eating dinosaurs) and villains (for some predatory dinosaurs). Since The Shots will be necessary, and the Dinosaurs must look so real that once the Dinosaurs have their finished, realistic-looking design, we’ll take sculptures of the Dinosaurs, which will be done by Weta Worksshop and some dinosaur sculptors and will scan it into the Computer as maquettes. The Dinosaurs will be drawn and sculpted by you, Old mill Art Department and by the following artists and sculptors:

Jean-Guy Auger, Bruce Bowman, Donna Braginetz, Rody Braun, G. Arthur Bush, Brian Cooley, Betty Cunningham, Dann Pigdon, David Dann, Ricardo Delgado, Tommy Ellis, Brian Franczak, Truett Garner, Mark Hallett, Rich Hammond, Douglas Henderson, T. Michael Keesey, David Krentz, Berislav Krzic, Dan DoRusso, Alan Male, Matt Manit, James McKinnon, Eric Milochau, William Monteleone, Partick Norton, Craig Nutt, John Rafert, Luis. V Rey, Michael Rusher, Robert .T. Bakker (who is a scientist-artist), Gavin Rymill, John Sibbick, Carolyn Staehle, Dan Varner, Peter Von Sholly, John Howe, Alan Lee, Gregory Wenzel, and most of all, William Stout, John Gurche, Gregory Paul, and Bob Walters. Also, John Bindon, Todd Marshall, Andrey Atuchin, Aspidel, Alain Bénéteau, Gerhard Boeggemann, João Boto, John Burris, Karen Carr, Geoffrey Clain, Julius Csotonyi, Felipe A. Elias, Mike Fredericks, Spike Ekins, Truett Garner, Russell Gooday, Jon Hughes, Bruno Hernandez, Karl Huber, Erfan Khosravi, Janice McCafferty, Justin Miller, Bob Morales, Erik C. Omtvedt, Øyvind Padron, Anthony Pichler, Bren Postma, Derek Rippe, Maximo Salas, Ville Sinkkonen, Ahn Gil Taek, Carlos Trujillo M., Tuomas Koivurinne, and Velizar Simeonovski


The Miniature Sets for The Reptarian Scenes will be meant to be sometimes 350 to 450 feet long when blown up on the screen. I’m Visualizing a miniature of Mt. Veros, the mountain that resembles Mt. Everest, which is 45-55 feet long, being shot on a sound stage at Stone Street Studios. We’ll add fog to Mt. Veros in the distance in either post-production or the creation of the visual effects.

Two of the other large miniatures required will be Anatomnar, The Baradur-like Imperial Palace of the Astronomeans with its three huge castle like structures similar to that of Baradur in the Lord of the Rings movies, and Mandark’s Vast and Massive Laboratory, similar to that of the Later Seasons of Dexter’s Laboratory (which is the Cartoon Network series).

Digital Environments and Matte Paintings

The worlds of Dexter’s Odyssey will be a patchwork of live action, minature, and digital elements which means it may also required the largish miniatures ever built called, BIGATURES. Please Talk to The Dexter’s Odyssey Art Department, Weta Workshop and Weta Digital, or my would-be mentor, Peter Jackson via email or by letter, about the specs of the available live action sets and locations, miniatures and digital CG environments and matte paintings in either New Zealand or any part of the world. The Dinosaurs will also require some animatronics to the mix. The other Animatronics goes to The Demon Mandark, the Astronomean Warlords, the Astronomean Strong Borgs and Verakil, which will be guys in full animatronic suits with CG models to the mix. Who pays for what will have to be discussed, but all the basic pieces are there. The Powerpuff Girls, Mojo Jojo and The Primakil (the mutated apes and monkeys in the Powerpuff Girls Movie) will be entirely CG, Rendered in 3D but shaded in 2D to be treated to match the original look of the 2002 animated flop, The Powerpuff Girls Movie, especially the Gangreen Gang and other PPG villains. When live action wraps in the physical sets, shots requiring greater depth (such as the Allosaurus fight and the Battle for Cotolamia in the Birth of Mandark), may be done in there.

With respect to the worlds, and creatures, and people and objects of Dexter’s Odyssey, my ideal configuration would be: self-contained and self-propelled, computer-operated miniatures and VFX cameras. Ideally, these should be able to maneuver in all axes and if possible have inside a digital projector running on a DVD-Player controlled rear screen in Mr. Watts’ Room or whatever, so that we can see the actor operating the controls. We’ll shoot these plates, anticipating the action of the dinosaurs in the CGI shots. If this is impossible for reasonable cost, please present alternatives.

The TIMeffects Camera

It will be necessary to set up all Visual Effects units, especially the minature department at the sites in the United States and New Zealand. This will include the moving and setting up of VFX sound stages, minature shops, creature workshops, and DVFX department, etc. Please Factor these costs into your bid. All dailies will be viewed by everyone especially ourselves in the morning, and effects people and the cast and crew of Dexter’s Odyssey will have the opportunity to view live action, minature, and digital dailies if the scenes are relevant to their work. When Principal Photography wraps on November 26, 2010, all effects departments must relocate to the United States and New Zealand.

Release and Delivery Formats

Digital Exhibition and Distribution Bitstreams will probably be done as follows: digitize HD Digital Videotapes to a digital format, so it can be exhibited in D-Cinema, Digital 3D, and IMAX. An Anamorphic Squeeze area corresponding from 2.40:1 to 1.78:1 must be shot an all minature and Digital Effects shots. This means that one will actually see more (especially at the bottom of the frame) in the video release of the picture than saw in the D-Cinema, Digital 3D, IMAX releases, and it will be possible to do some effects shots in that way, or by Hand-Held Video Cameras and Cellphone Cameras. That is also our plans. Take this into consideration too. Your shots will be delivered via a digital bitstream in the case of compositing. Image Quality will be good vertically to 1.78:1 and horizontally to 2.40:1.

The Journey to the Center of the Earth Sequence

This is the one sequence in the Fall of Mandark which will appear in the third film with absolutely no idea how it could be done. These days you have to have something in a film which no one has ever seen before. It is axiomatic therefore that no one has ever done it before. This is both very good and very innovative. Allow for testing to determine the combination of Live Action Sets, Minatures and Digital Computer Generated Environments and matte paintings. CGI might also be suggested for the Vulcanotaurus, and the furry aliens and jumping spiders that lives in the center of the dinosaur planet of Reptaria. Due to the recent time between start-up and demonstrations of positive results, we’re not shying away from this. There May be many ways to do the subterranean world in the Journey to the Center of the Earth sequence, or the inhabitants that lives there. Ever since the time between 1989’s The Abyss and 1993’s Jurassic Park, CG forms with texture-mapping of the surface ripples, the dinosaur’s skin, spectacular highlights, etc. was the only solution that finally convinces Hollywood that the time has come for CGI and other digital effects to dominate the VFX industry. No matter how realistic the CG dinosaurs of Jurassic Park are, it will allow animators to animate them the easy way on the computer. Plate photography for the miniature sets and CG environments and Matte Paintings will directly be supervised by me, Weta Workshop and Weta Digital, due to the interaction of the physical, minature and digital backlot sets, and especially the creatures, which will be patch worked and added digitally later. Our present thinking is to do the sequence as early in the schedule to allow the maximum time to complete the shots (i.e., Mid-August 2008).

Also, we would like this particular sequence, comprising shots FX-135 through FX-172, to have a completely separate sub-bid, with its own budget. This sequence uses the same elements as those from the other sequences of each film and this break-out should not effect your costing for the other shots. This sequence is a minefield, and We want to make an informed decision as to the techniques versus costs, without those costs being buried throughout the whole visual effects bid. It may be possible for you and us to get the contract for both the rest of the shots and this sequence together. Please Indulge us in this, Weta Workshop and Weta Digital.

DIGITAL OPITICALS

All DVFX and Animation Shots which may require digital enhancement, are to be shot in HD Digital Anamorphic Format.

The Ships and Vehicles of Dexter’s Odyssey

There are a number of digital visual effects involving ships and vehicles in many shots, and will require discussing and testing. Ships and Vehicles are everywhere in the Star Wars films and for Dexter’s Odyssey, must be animated the same way as those in the prequels or simulated at larger scale. Everyone may be welcome to the tour of the sets, etc., of Dexter’s Odyssey during principal photography between June 2008 and November 2010, or at the end in order to embrace the making of the Dexter’s Odyssey Trilogy. STARDARK, the large moon-sized battle station and the nuclear menace of The Tim Box Galaxy are to be a combination of Minature Sets, Live Action Sets, and Digital CG environments and digital matte paintings. It resembles a cross between the death star in Star Wars (1977) and the alien mother ship in Roland Emmerich’s ID4: Independence Day (1996). In Addition, the explosion of Stardark might resemble that of ID4: Independence Day. TBD. I look forward to your comments and ideas, you guys; I expect Ricardo Delgado and William Stout to design some dinosaurs. We’ll meet when you guys have digested this information at our soonest mutual convenience. Feel free to contact us via email or letter.


Sincerely,
Timothy Robert McKenzie

So what will you think of the creatures, minatures, visual effects and animation of the Dexter's Odyssey Trilogy, the old mill film club's next $865 million epic production after the Skyler Project?

[timbox129]

And Here's a reminder: Remember Pink Floyd: The Wall: The Movie, The Album, and the Concert? What did you think about Pink Floyd: The Wall?

[timbox129]

On April 2014, Tim Box, Legendary Pictures, Universal Pictures, The Weinstein Company, Sony Pictures Entertainment, MGM, and Sony BMG Entertainment will re-release Pink Floyd: the Wall in theatres for the first time as Pink Floyd: The Wall: Special Edition. It will contain 26 minutes of all new digital effects by ILM and Weta Digital and never-before-seen deleted scenes and songs, as well as a newly remastered and remixed soundtrack in Dolby Digital Surround EX, DTS ES, and SDDS 8-Channel Sound. Many of the sound effects will be redone by Sound Designers Randy Thom, Christopher Boyes, Ethan Van Der Ryn and David Farmer. And the most noticeable change will be redoing many live action scenes with 21st Century computer generated imagery, execpt for all of the Gerald Scarfe animation sequences, especially during the war sequence, the live action wall sequence, the Fascist sequences, the Spoiling of the school sequences and others.

The remastered, CG'd and Remixed movie, Pink Floyd: the Wall will be converted from the original film into a High-Definition format, which gives viewers a clearer, crisper, more vibrant picture than before, even when viewed in standard definition DVD. Once released on Blu-Ray Disc and HD-DVD and enhanced for 16x9 televisions, the episodes will be all ready for viewers to enjoy in HD.

On November 2014, There will be a 4-Disc Definitive Collector's Edition of Pink Floyd: The Wall, featuring both 1982 unaltered and 2014 special edition cuts, plus 36 hours of new, extensive bonus material, a HD-Digital Anamorphic Transfer, and Dolby EX 5.1, DTS ES 6.1, and the original Dolby Stereo Split Surround track. The cover art will be the same as the original album, but this time with the logo for the film, and the 4-Disc Digipack Packaging will be Lord-Of-The-Rings worthy. So what will you think of Pink Floyd: The Wall: Special Edition in 2014 if you read this post?

[timbox129]

Well, a Pink Floyd reference might be recognizable when the Tim Boxian armies sang Part 2 of Another Brick in the Wall in the Birth of Mandark before Arthur Windbear Zarus rallies his troops and gives forth a battle cry, "How art thou, thou globby bottle of cheap, stinking chip oil?!!! Come and get one in the yarbles if you have any yarbles, you EUNICH JELLY THOU!!!" Then the armies charges, ala Kingdom of Heaven acommpanied by music similar to track 10 of the Batman begins Soundtrack. So what did you think of my references to Pink Floyd's album, The Wall and A Clockwork Orange?

[timbox129]

On April 2014, Tim Box, Legendary Pictures, Universal Pictures, The Weinstein Company, Sony Pictures Entertainment, MGM, and Sony BMG Entertainment will re-release Pink Floyd: the Wall in theatres for the first time as Pink Floyd: The Wall: Special Edition. It will contain 26 minutes of all new digital effects by ILM and Weta Digital and never-before-seen deleted scenes and songs, as well as a newly remastered and remixed soundtrack in Dolby Digital Surround EX, DTS ES, and SDDS 8-Channel Sound. Many of the sound effects will be redone by Sound Designers Randy Thom, Christopher Boyes, Ethan Van Der Ryn and David Farmer. And the most noticeable change will be redoing many live action scenes with 21st Century computer generated imagery, execpt for all of the Gerald Scarfe animation sequences, especially during the war sequence, the live action wall sequence, the Fascist sequences, the Spoiling of the school sequences and others.

The remastered, CG'd and Remixed movie, Pink Floyd: the Wall will be converted from the original film into a High-Definition format, which gives viewers a clearer, crisper, more vibrant picture than before, even when viewed in standard definition DVD. Once released on Blu-Ray Disc and HD-DVD and enhanced for 16x9 televisions, the film will be all ready for viewers to enjoy in HD.

On November 2014, There will be a 4-Disc Definitive Collector's Edition of Pink Floyd: The Wall, featuring both 1982 unaltered and 2014 special edition cuts, plus 36 hours of new, extensive bonus material, a HD-Digital Anamorphic Transfer, and Dolby EX 5.1, DTS ES 6.1, and the original Dolby Stereo Split Surround track. The cover art will be the same as the original album, but this time with the logo for the film, and the 4-Disc Digipack Packaging will be Lord-Of-The-Rings worthy. So what will you think of Pink Floyd: The Wall: Special Edition in 2014 if you read this post?

I said what will you think about Pink Floyd: The Wall: Special Edition?

[timbox129]

I know what Mandark looks like in Dexter's Laboratory. he is Dexter's Rival, a annoying, black-haired nerdy guy who once competes with Dexter. Oh, and his clothes: From Season One To Season Two, He wears a buttoned white shirt, blue shorts, black socks, and brown shoes. From Season 3 thru Season 4, A Tie is added to his clothes. Starting from Ego Trips Onwards, He wears the most evilest, darkest, and scariest caped supervillian costume you have ever encountered: LIKE THIS!!!! His cape was black and red, his costume and claw gloves was also black and red. He carried monstrous weapons and even plotting Dexter's downfall. He is more eviler than himself, his laboratory darker than itself, and his plans, diabolical and nastier, THAN THEMSELVES!!!!!! Even two hippies named Windbear and Oceanbird raises him and mistaken him as Susan, even though his true real name is Astro Nomenov. In the Dexter's Odyssey Trilogy, The Human Mandark will be the same as the one in the beginning of Dexter's Laboratory: Ego Trip, while the Demon Mandark has a Horned, ballooned-shaped head with the Human Mandark’s Face, a Long, Black and Red Cape, A body resembling a upside-down smiley box, two arms with claw hands, and a pair of legs that resembles a cross between a T-Rex’s and a Bird’s. The Demon Mandark will be realized through CGI with a guy in a computer-controlled animatronic Demon Mandark costume suit to the mix, while The Human Mandark will be played in an actor in a Caped Marauder Mandark costume, with his voice altered and combined with Eddie Deezen's Voice during post-production. So what will you think of my depiction of Mandark in Dexter's Laboratory and the Mandark in Dexter's Odyssey?

and I'll tell you guys, If you either already own or didn't get the Clerks II special edition DVD yet, I'll tell you there will be a sequel to Clerks and Clerks II will began pre-production in March 2012, 3 months before Dexter's Odyssey: The Birth of Mandark will be released in May 2012. It is Called, CLERKS III: THE LOST WORLD.


In March 2012, Tim Box, USC School of Cinematic Arts, View Askew Productions, 20th Century Fox, Paramount Pictures, DreamWorks Pictures, Legendary Pictures and The Weinstein Company will announce a modern update of Sir Arthur Conan Doyle's novel the Lost World under the title, Clerks III: The Lost World, being another sequel to Kevin Smith's First Film, Clerks (1994). It will be made using 24P High Definition Digital cameras for an October 2017 release. Here's The Plot:

The journal of Maple White and his friend Veronica Loughran is recovered from Seperdouniversus, a large island off the coast of South America, featuring sketches of dinosaurs, which is enough proof for Professor Challenger AKA Silent Bob and Professor Jay that dinosaurs still walk the earth. With that, Dante Hicks , Randal Graves (whom wishes to go on the expedition to impress his fiance'), "Silent Bob" Challenger, Jay and Elias (as well as an Brazillian servent, Zambo) leave for Seperdouniversus. They get onto the island by plane, enters the plateau by going through the seacoast, cuts down a tree and using it as a bridge, but it is knocked over by a Carnotaurus, leaving them trapped. The explorers are shocked when they discover that a large rock has been sent their way by an ape-man (which will resembles and sound like a silverback gorilla.) perched on top of a ledge. As the crew look up to see their attacker, Challenger spies a Quetzalcoatlus overhead and proves that the statement in Maple White and Veronica Loughran's diary is true. The explorers witness various life-and-death struggles between the dinosaurs of Seperdouniversus. During which, an allosaurus and Tyrannosaurus pack makes its way to the camp site and attacks the exploration party. It is finally driven off by Dante Hicks, Jay, and Silent Bob who throws a burning torch into the beast's mouth. Convinced that the camp isn't safe, Dante climbs a tree to search for a new location, but is attacked by the Silverback Gorilla-like ape-man. Jay and Silent Bob succeeds in shooting the ape man, but the creature is merely wounded and escapes before They can finish him off. The explorers then make preperations to live on the plateau potentially indefinitely. A catapult is constructed and a in search for Maple White and Veronica Loughran, They are rescued. It is at this time that Dante confesses his love for Elias and the two are unofficially wed. Shortly afterwards, as the paleontologists are observing an Iguanodon, it is attacked by an Tyrannosaurs and falls of the edge of the platue, and swims ashore from the river. Soon afterwards, The Ape-Men's leader, a 25-foot tall Silverback Gorilla-like ape man named Brutus menaces a herd of ceratopsians, causing a mass stampede among the dinosaurs of Seperdouniversus. In the end, the crew is saved when Elias' pet monkey Chico climbs a rope up the plateau and the crew climb down. As Dante makes his descent, he is again attacked by the ape-man and Brutus who pulls the rope later. The ape-man is again shot, and this time killed as well as Lord Brutus, by Dante. The Iguanodon that was pushed off the plateau had swam ashore in the river, and Dante, Jay, "Silent Bob" Challenger, Elias and the others manages to bring it, along with a Triceratops, Tyrannosaurus, Allosaurus, Ceratosaurus, Therizinosaurus, and a Pack of Utahraptors back to London, as they want to put it on display. However, they escapes and engages in an epic battle until it reaches the London Bridge, where Dante, Jay, and "Silent Bob" Challenger defeated the meat eaters. Jay and Silent Bob waves goodbye as the creatures leaves, whereas Dante with Elias, allowing him and Elias to be together.

Here's the bestiary:
Apatosaurus, Carnotaurus, Gallimimus, Hypsilophodon, Maiasaura, Mussaurus, Pachycephalosaurus, Parasaurolophus, Procompsognathus, Stegosaurus, Triceratops, Tyrannosaurus, Velociraptor Cearadactylus (not a dinosaur), Dilophosaurus, Euoplocephalus, Hadrosaurus, Microceratops, Ornthiella, Drinker, Styracosaurus, Chasmosaurus, Iguanodon, Megalosaurus, Allosaurus, Ceratosaurus, Utahraptor, Megalosaurus, Dimorphodon, Glyptodont, Megaloceros, Icthyosaur
Plesiosaur, Corythosaurus, Lambeosaurus, Megatherium, Smilodon, Phorusrhacos, Toxodon, An unidentified 50ft snake, An unidentified phosphorescent mammal Ape-Men, Lord Brutus, a Giant Silverback Gorilla, Grape-sized ticks, Large moths, Capuchin Monkey, Chimpanzee, Unidentified lizards with frills and feathers, Anaconda, Cayman or Alligator Marsh Deer, Leopard, Peccary, Python, "Spectical Bears", South American Tree Sloth, Ornitholestes, Therizinosaurus, Quetzacoatlus, Pteranodon, Deinonychus, Ankylosaurus, Ornithomimus, Struhiomimus, Plateosaurus, Guanlong Wucaii, Dilong paradoxus, Eotyrannus, Oviraptor, Protoceratops, Baryonyx, Spinosaurus, and Suchomimus, and Ouranosaurus.

The film will be framed in an Aspect Ratio of 2.35:1, The Film will be made for a budget of $295 million, the visual effects and the dinosaurs will often be realistic, the Lost World itself will be a blend of live action sets, minatures and digital CG environments, the actors and actresses will range from those who star in Clerks I and II to familiar faces, The partially-exotic music will be by James L Venable and Mark Mancina or whatever you're saying, the plot will be a modern update of the 1925 version and the original 1912 novel, Designers and Artists will go to a more lush realism for their depiction of Seperduniversus, the soundscapes will be by Skywalker Sound, the film will have a theatrical running time of 2 hours and 58 minutes, and a total of 45 minutes will be cut from the film, and the film will stay in theaters for 338 days followed by on October 2018, three different versions on DVD, Blu-Ray Disc, and HD-DVD on the same date, a 2-Disc Special Edition, featuring the 178-minute theatrical cut, a 4-disc Deluxe Collector's Edition, featuring a 223-minute unrated extended cut, and a 6-disc Ultimate Collector's edition featuring both the extended and theatrical versions plus a bonus disc featuring a newly-restored version of the 1925 silent version of the Lost World. Clerks III: The Lost World will be released on October 13, 2017 by Tim Box, View Askew Productions, 20th Century Fox, Paramount Pictures, DreamWorks Pictures, Legendary Pictures and The Weinstein Company.

I said what will you think of Clerks III: The Lost World and my depiction of Mandark in Dexter's Lab and in Dexter's Odyssey?

[timbox129]

Please look at those sophistos from the circus in Disney and Pixar's A Bug's Life. Here are those sophistos from the P.T. Flea Circus:

Here's The Top Sophisto: P.T. Flea. Damn, He is an annoying idiot that bounces around screaming "FLAMING DEATH!"

Here's the Toughest of the Circus Sophistos: Francis the Ladybug! You don't want to mess with this guy.

Ah Ha ha! That Hemlich the Catterpillar. He's eats everything in sight, especially the halloween candies.

Ho, Ho, Ho! Why if it isn't Manny and Gyspy in posion. They're Magicians. Totally Awesome Magicians.

Why, Hello There, Rosie the Beautiful-looking Black Widow Spider. xxxxxxxxxxxxxxxxxxxxxxxxxxxx (kissses) Man, She's very a very attractive circus performer.

Ahha! Slim, You are the Animated Stick!

Hey! That's that buddy rhino beetle, Dim.

Ho, Ho, Ho! Why if it isn't Tuck And Roll in acrobatic form! How art thou, thou acrobatic Hungarian Pill Bugs?!! Come and Get one in the yarbles, if you have any yarbles, you eunich jelly thous!!!!!

So what did you think of my presentation of those warrior bugs and circus bugs in A Bug's Life?


:-*http://img154.imageshack.us/img154/3553/chrsheimey0.jpg[/img][/url]

[timbox129]

In 2012, After the Release of Dexter's Odyssey: The Birth of Mandark, Tim Box, Disney, Twentieth Century Fox, The Jim Henson Company, Bill Stout, Jim Henson's Creature Shop and others wil spearhead the effort To realize Jim Henson's Original Hope for Natural History Project, and then Upgrading it for the 21st Century and added a Reptarian Setting in the Year 275 TE. The Natural History Project, Which Will Now Be Known as CREATION and will combine Animatronics, Digital Puppetry, and CGI. Disney/Tim Box/Jim Henson's CREATION will have a theatrical running time of 2 hours and 25 minutes, and that means a total of 75 minutes will be cut from the film but will be added back to the film in a 220-minute extended edition. CREATION will be shot in an Aspect ratio of 2.35:1. Okay. you know I'm Talking about, guys. This is about Jim Henson's Unfinished Natural History Project, which is the foundations for Disney/Jim Henson's DINOSAURS the Series. Okay.

For more info about Natural History Project, Click Here:

muppet.wikia.com/wiki/Natural_History_Project

And who will compose the music for Disney/Tim Box/Jim Henson's CREATION? Either:

1. David Arnold
2. Klaus Badelt
3. Don Davis
4. John Debney
5. Patrick Doyle
6. Randy Edelman
7. Danny Elfman
8. John Frizzell
9. Michael Giacchino
10. Philip Glass
11. Elliot Goldenthal
12. Harry Gregson-Williams
13. James Horner
14. James Newton Howard
15. Trevor Jones
16. Joseph LoDuca
17. Mark Mancina
18. Thomas Newman
19. Michael Nyman
20. John Ottman
21. Basil Poledouris
22. John Powell
23. Trevor Rabin
24. Eric Serra
25. Howard Shore
26. Alan Silvestri
27. Vangelis
28. John Williams
29. James L. Venable
30. Hans Zimmer

So what did you think of Jim Henson's Natural History Project?


Sincerely,
Timothy McKenzie

[ie]

timbox129 said:

So what did you think of Jim Henson's Natural History Project?

[timbox129]

what did you think of my presentation of those warrior bugs and circus bugs in A Bug's Life? So what did you think of Jim Henson's Natural History Project if it is revived by Tim Box, Disney, Twentieth Century Fox, The Jim Henson Company, Bill Stout, Jim Henson's Creature Shop and others in June 2012?

[timbox129]

I said for the last time, what will you think of Clerks III: The Lost World and my depiction of Mandark in Dexter's Lab and in Dexter's Odyssey?

[criterionmaster]

Clerks + dinosuars = masterpiece.

[ie]

Clerks + zombie ninja laser-mounted dinosaurs = Masterplasterpiece.

[timbox129]

What did you think of my depiction of Mandark in Dexter's Lab and in Dexter's Odyssey, everyone?

[timbox129]

And I have three serious question for you, everyone. What will you think of Pink Floyd: The Wall: Special Edition's 26 minutes of all new digital effects by ILM and Weta Digital and never-before-seen deleted scenes and songs, as well as a newly remastered and remixed soundtrack in Dolby Digital Surround EX, DTS ES, and SDDS 8-Channel Sound provided by Skywalker Sound and Park Road Post and Sound designers Randy Thom, Christopher Boyes, Evan Van Der Ryn and David Farmer? What will you think if The remastered, CG'd and Remixed Special Pink Floyd: the Wall will be converted from the original film into a High-Definition Digital format, which gives viewers a clearer, crisper, more vibrant picture than before? Compare a Rough, Black and White Print of the Deleted song, Hey You!, and Tim Box's digitally enhanced version of those horrific scenes that were cut from the 1982 movie and as seen in the 2014 special edition for me please?

[misterbalco]

LUMO