criterionmaster
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Post by criterionmaster on Jan 10, 2007 19:11:27 GMT -5
Okay, well me and beed were having some discussion on another forum but I decided to bring it here. It is the ol' debate of American vs. foreign and which is better.
Someone said America doesn't pay attention to enough foreign films, then I said:
beed:
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Post by PTAhole on Jan 10, 2007 19:13:05 GMT -5
Films are films. I don't care what country they come from.
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blackmoses
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Post by blackmoses on Jan 10, 2007 19:30:45 GMT -5
Films are films. I don't care what country they come from. Same with me.
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captainofbeef
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Post by captainofbeef on Jan 10, 2007 19:37:29 GMT -5
Yea, I don't care either. I was just pointing out that American films as a whole are better than any other countries.
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criterionmaster
Cool KAt
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Post by criterionmaster on Jan 10, 2007 19:46:02 GMT -5
You guys don't understand the argument. Are you saying that films from the US tend to be better than other countries films, whether they are all films they are still different? They come from completely different places, and have completely different aspects to them to like. And no one said anything about people watching foreign films in the US either, which was one of the things brought up in my post.
Also to beed, maybe there were more good films back in the day from America, but there were still good films from outside of America. I think that films from foreign countries tend to be overall better; they have better qualities to them, US a lot of times are scared with the material and censor work, and forget to tell stories and instead insert explosions. There are great films from both but I tend to lean more towards foreign films overall. Hell, my top ten favorite directors consists of mostly foreign directors.
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Post by PTAhole on Jan 10, 2007 19:50:17 GMT -5
Well, in that case, America makes more films than any other country, so the ratio of good to bad films may be the same, but America will probably have more good films by the end of the day. Doesn't mean they're better in general, though.
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captainofbeef
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Post by captainofbeef on Jan 10, 2007 19:51:21 GMT -5
Not really, I mean, there was about one a great film a year outside America in the early days. American films makers sometimes made two great films a year. Things don't have to be controversial to be great films. O yeah, and just TONS of films from the 30's to the 50's have explosions in them. C'mon now.
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Post by lordofdance on Jan 11, 2007 11:10:00 GMT -5
Actually, India makes the most movies per year currently.
Overall, I think foreign films are more intelligent and daring than American films. The French New Wave directors were influenced by American directors of the time, but then the French in turn influenced the American directors of the 70's, which was a very fertile time for American film. The French New Wave and American film in the 70's are both considered landmarks in film history. But the French New Wave was also influenced by the Italians. American film's greatest period owes alot to the French and the Italians. Many of the most respected American filmmakers come from the 70's period.
Now, film noir is considered a landmark in film history as well, and is American. But noir was influenced by German Expressionism, which is also an important movement.
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sai
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Post by sai on Feb 11, 2007 18:31:45 GMT -5
It's a question of ratios. Look at it this way. There is a filtering process in place with foreign cinema, in English speaking countries we see only a tiny fraction of what is produced in... for example France, Germany, Spain, China, India each year. What we do get tends to be the cream of the crop so it appears that foreign films are, overall, better. This is, I feel, also why the cinema of the past seems to shine. It's not merely the warm glow of nostalgia, it's that (most of) the crap has been forgotten over the years.
For my money though, right now, the country producing the best cinema in the world is South Korea. Since 1998 there's been a deluge of great films of all genre's and of spectacular acting and directing talent, a new wave which shows no signs of abating.
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