Post by captainofbeef on May 31, 2009 10:46:11 GMT -5
From the mid-1950s to the early 1970s, wild, idiosyncratic crime movies were the brutal and boisterous business of Nikkatsu, the oldest film studio in Japan. In an effort to attract youthful audiences growing increasingly accustomed to American and French big-screen imports, Nikkatsu began producing action potboilers (mukokuseki akushun, or “borderless action”) modeled on the western, comedy, gangster, and teen-rebel genres. This bruised and bloody collection represents a standout cross section of the nimble nasties Nikkatsu had to offer, from such prominent, stylistically daring directors as Seijun Suzuki, Toshio Masuda, and Takashi Nomura.
In Koreyoshi Kurahara’s directorial debut, rebel matinee idol Yujiro Ishihara stars as a former boxer working as a restaurant manager, who saves a beautiful, suicidal club hostess (Mie Kitahara) trying to escape the clutches of her gangster employer.
In Toshio Masuda’s smash Rusty Knife, Yujiro Ishihara and fellow top Nikkatsu star Akira Kobayashi play former hoodlums trying to leave behind a life of crime, but their past comes back to haunt them when the authorities seek them out as murder witnesses.
At the beginning of Seijun Suzuki’s taut and twisty whodunit, a prison truck is attacked and a convict inside is murdered. The penitentiary warden on duty, Daijiro (Michitaro Mizushima), is accused of negligence and suspended, only to take it upon himself to track down the killers.
Fresh out of the slammer, Togawa (Branded to Kill’s Joe Shishido) has no chance to go straight because he is immediately coerced by a wealthy mob boss into organizing the heist of an armored car carrying racetrack receipts.
One of Japanese cinema’s supreme emulations of American noir, Takashi Nomura’s A Colt Is My Passport is a down-and-dirty but gorgeously photographed yakuza film starring Joe Shishido as a hard-boiled hit man caught between rival gangs
